The latest batch of finalist cover a range of compelling subjects, but all feel incomplete.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
The latest batch of finalist cover a range of compelling subjects, but all feel incomplete.
Lizzie Gottlieb’s documentary on “the two Bobs” is thoroughly delightful.
Isa Whitaker joins Edwin to discuss the latest MCU feature.
This year’s finalists run from heartfelt comedy to would-be heartbreaking drama.
This year’s nominees feature everything from a talking fox to a naked sailor hurled skyward by an explosion.
M. Night Shyamalan’s weaknesses as a writer/director hamper this would-be apocalyptic thriller.
Brandon Cronenberg’s latest mindf*#& is visually creative but narratively messy.
Luca Guadagnino’s cannibal road-trip movie might be the year’s most disjointed release.
Like its predecessor, James Cameron’s return to Pandora isn’t a movie — it’s a technology showcase.
“Die Hard” meets “Bad Santa” and “Home Alone” in this wild addition to the holiday canon.
Steven Spielberg dramatizes his youth to highly entertaining ends.
A minimal plot and esoteric subject matter keep this debut drama from making much of an impression.
Mark Mylod’s star-studded foodie satire is far funnier than you’ve been led to believe.
Ryan Cooler & Co. craft a loving tribute to Chadwick Boseman while pushing their saga forward in impressive fashion.
The parody songwriter’s “life” makes for a near-ideal parody of music biopics.
A friendship comes to a sudden end in Martin McDonagh’s dark, metaphorically rich, period dramedy.
Todd Field and a career-best Cate Blanchett match tempos in the writer/director’s first film in 15 years.
Park Chan-wook’s meticulously crafted crime thriller is a wonder to behold.
