Quick takes on four recent mainstream titles.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Sequel
Quick takes on four recent mainstream titles.
More like “Awkwardman and the Lost Opportunity.”
Nia DaCosta’s convergence of Carol Danvers, Monica Rambeau, and Kamala Khan ably synthesizes their narrative strands with plentiful laughs and Marvel’s typical top-notch action.
The usually reliable Ben Wheatley’s toothless sequel eschews the dumb fun of its predecessor.
Christopher McQuarrie and Tom Cruise continue to suck the joy out of this long-running series.
Patrick Wilson’s directorial debut is a bizarre vanity project that taints the horror series’ formerly good name.
While Harrison Ford and several other familiar faces are back, along with some amusing nods to the original trilogy, this concluding (?) installment is defined more by what’s absent onscreen.
Isa and Edwin discuss the sequel to the Oscar-winning animated extravaganza.
Scene-stealing turns by Jason Momoa and John Cena pair nicely with the series’ usual ridiculous action set pieces.
Series star Michael B. Jordan pulls double duty behind the camera and produces the trilogy’s best installment.
Like its predecessor, James Cameron’s return to Pandora isn’t a movie — it’s a technology showcase.
David Gordon Green and Danny McBride finally fulfill their potential as horror filmmakers.
Jon Hamm finally gets the comedic leading role he's long deserved.
Short takes on “Fire of Love,” “Prey,” “Marcel the Shell with Shoes On,” “The Gray Man,” “RRR,” “Vengeance,” and “Mrs. Harris Goes to Paris.”
After a second trilogy of depressingly diminishing returns, it’s time for the dino series’ extinction.
Heart-pounding action sequences battle lackluster writing and performances in this uneven legacy sequel.
This messy sequel barely feels like a Sam Raimi film — until it goes full “Evil Dead 2”/”Drag Me To Hell.”
The series’ alleged curtain call delivers plenty of big laughs, but runs out of steam without its usual amount of hidden-camera pranks.
Wes Craven is sorely missed in the series’ worst installment thus far.
