Channing Tatum gives his best lead performance yet in Derek Cianfrance’s melancholic, Charlotte-set comedy.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Channing Tatum gives his best lead performance yet in Derek Cianfrance’s melancholic, Charlotte-set comedy.
Stunning visual effects, a thumping NIN score — and some Depeche Mode jokes are enough to keep this sequel entertaining.
Dwayne Johnson is mesmerizing in Benny Safdie’s Mark Kerr biopic.
Paul Thomas Anderson’s thrilling, Pynchon-inspired action/drama is an entertaining lark.
Kogonada gets supernaturally romantic in this charmer that’s not as different from his past films as it may seem.
Justin Tipping’s football “horror” film is full of intriguing images and ideas that don't add up to much.
The Crawleys say farewell (?) in this comforting but largely inconsequential third film.
Darren Aronofsky delivers his most entertaining film thus far without sacrificing his gritty, grisly ways.
Jay Roach’s divorce “comedy” quickly runs out of steam.
Ethan Coen's latest good, not great diversion is the cinematic equivalent of junk food.
Riz Ahmed’s tech-savvy Robin Hood helps whistleblowers in this passable thriller.
Spike Lee and Denzel Washington reunite to inspired ends in this reimagining of the Akira Kurosawa classic.
Writer/director Zach Cregger’s horror thriller is a wild ride that won’t soon be forgotten.
Liam Neeson and a crackerjack cast and crew deliver by far the best comedy of the summer — if not the year.
Alison Brie carries this subpar horror flick while Dave Franco shows his limited range.
Two new indies celebrate the power of commas — but is either film worth seeing?
It only took 30-plus years, but we finally have a good F4 movie.
