Channing Tatum gives his best lead performance yet in Derek Cianfrance’s melancholic, Charlotte-set comedy.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Channing Tatum gives his best lead performance yet in Derek Cianfrance’s melancholic, Charlotte-set comedy.
Dwayne Johnson is mesmerizing in Benny Safdie’s Mark Kerr biopic.
Paul Thomas Anderson’s thrilling, Pynchon-inspired action/drama is an entertaining lark.
Kogonada gets supernaturally romantic in this charmer that’s not as different from his past films as it may seem.
The Crawleys say farewell (?) in this comforting but largely inconsequential third film.
Riz Ahmed’s tech-savvy Robin Hood helps whistleblowers in this passable thriller.
Spike Lee and Denzel Washington reunite to inspired ends in this reimagining of the Akira Kurosawa classic.
Two new indies celebrate the power of commas — but is either film worth seeing?
Ari Aster continues his phenomenal young career with this blisteringly funny COVID-era satire.
Thrills remain constant in this thoroughly entertaining auto racing film.
Mike Flanagan’s latest Stephen King adaptation intelligently rides a roller-coaster of emotions.
Celine Song’s sophomore effort is an old-fashioned romance loaded with charm.
The Weeknd and Trey Edward Shults team up for a hypnotic examination of creativity, fame, fandom, paranoia, and mental health.
Directors Ray Mendoza and Alex Garland honor veterans and still deliver a harrowing anti-war message.
David Cronenberg’s potential swan song is also his best film since “Eastern Promises.”
Ryan Coogler’s exciting, allegorically-rich horror film is one of the most creative vampire movies of all time.
Naomi Watts plays the ultimate Karen in this sorry excuse for a dog movie.
Are “Snow White” or “The Alto Knights” worth seeing?