Maggie Gyllenhaal’s failed feminist take on the Frankenstein legend is a thorough embarrassment.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Maggie Gyllenhaal’s failed feminist take on the Frankenstein legend is a thorough embarrassment.
A quiet, methodical film, but Lesley Manville’s moving, heartfelt performance alone is worth a visit to the multiplex.
Bart Layton’s Michael Mann homage stands on its own as a refreshing throwback.
Writer-director Emerald Fennell amps up everything around the lovers to make this the most sumptuous and over-the-top “Wuthering Heights” ever.
Channing Tatum gives his best lead performance yet in Derek Cianfrance’s melancholic, Charlotte-set comedy.
Dwayne Johnson is mesmerizing in Benny Safdie’s Mark Kerr biopic.
Paul Thomas Anderson’s thrilling, Pynchon-inspired action/drama is an entertaining lark.
Kogonada gets supernaturally romantic in this charmer that’s not as different from his past films as it may seem.
The Crawleys say farewell (?) in this comforting but largely inconsequential third film.
Riz Ahmed’s tech-savvy Robin Hood helps whistleblowers in this passable thriller.
Spike Lee and Denzel Washington reunite to inspired ends in this reimagining of the Akira Kurosawa classic.
Two new indies celebrate the power of commas — but is either film worth seeing?
Ari Aster continues his phenomenal young career with this blisteringly funny COVID-era satire.
Thrills remain constant in this thoroughly entertaining auto racing film.
Mike Flanagan’s latest Stephen King adaptation intelligently rides a roller-coaster of emotions.
Celine Song’s sophomore effort is an old-fashioned romance loaded with charm.
The Weeknd and Trey Edward Shults team up for a hypnotic examination of creativity, fame, fandom, paranoia, and mental health.