Nathan Fielder’s “Elizabeth Holmes documentary” is the film event of 2026.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Nathan Fielder’s “Elizabeth Holmes documentary” is the film event of 2026.
Tom Cruise’s best performance in decades powers Alejandro G. Iñárritu’s brilliant, hilarious satire.
“The Uprising” is timely, entertaining, well-made, and educational — and it might actually push armchair activists into action.
“By Any Means” tarnishes the entire narrative of the 1960s Civil Rights movement in the quest to create an action film.
The appeal of this mini franchise, the power of sisterhood, remains intact, but this installment is largely unfunny as a comedy and unconvincing as a drama.
“Fall 2: Deadpoint” does a great job of reproducing the nail-biting vertigo of the original — and it’s just as ridiculous.
Can Jason Statham whip a couple dozen bad guys on a container ship in about 90 minutes, starting out with no weapons at all? You’ll never guess the answer.
Christopher Nolan outdoes himself with this mesmerizing take on the classic tale.
John Carney delivers another funny, heartfelt tale about the joys of music.
Maggie Gyllenhaal’s failed feminist take on the Frankenstein legend is a thorough embarrassment.
A quiet, methodical film, but Lesley Manville’s moving, heartfelt performance alone is worth a visit to the multiplex.
Bart Layton’s Michael Mann homage stands on its own as a refreshing throwback.
Writer-director Emerald Fennell amps up everything around the lovers to make this the most sumptuous and over-the-top “Wuthering Heights” ever.
Channing Tatum gives his best lead performance yet in Derek Cianfrance’s melancholic, Charlotte-set comedy.
Dwayne Johnson is mesmerizing in Benny Safdie’s Mark Kerr biopic.
Paul Thomas Anderson’s thrilling, Pynchon-inspired action/drama is an entertaining lark.
