aka Portrait of a Beloved Human as a Young Shithead.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Biopic
Dwayne Johnson is mesmerizing in Benny Safdie’s Mark Kerr biopic.
Alex Ross Perry’s masterful, genre-bending Pavement film blurs the line between reality and fiction.
This biopic of Olympic boxer Claressa Shields is one giant cliché.
Depicting pop star Robbie Williams as a monkey works wonders in this creative biopic.
James Mangold’s embarrassing Bob Dylan biopic feels like an SNL sketch that never ends.
Not even a pairing with a glass of quality bubbly can save this biopic from mediocrity.
Sam Taylor-Johnson’s Amy Winehouse biopic honors the late singer/songwriter’s talents and flaws.
Ethan Hawke’s disjointed Flannery O’Connor biopic is a frustrating view.
Michael Mann’s Enzo Ferrari biopic is the best film of 2023.
Bradley Cooper’s Leonard Bernstein is a scatterbrained, occasionally brilliant effort.
Let weird Joaquin cook!
Yet another Sofia Coppola film that keeps emotions at a distance and only resonates on aesthetic levels.
Christopher Nolan’s biopic expertly marries dialogue-driven action and his trademark epic spectacle.
Haven’t audience-insulting, by-the-book sports biopics like this been outlawed by now?
Frances O’Connor makes an impressive directorial debut with this Brontë sister biopic.
The parody songwriter’s “life” makes for a near-ideal parody of music biopics.
Baz Luhrmann’s musical biopic features a star-making performance by Austin Butler, but is bogged down by repetitious storytelling — and Tom Hanks.
Will Smith delivers his first respectable performance in nearly a decade as the Williams Sisters’ father.
A miscast Kristen Stewart and a baffling script by Steven Knight sink this fantasia on Princess Diana.