Rampant silliness and the chemistry of Julia Roberts and George Clooney more than compensate for predictable storytelling.
Your guide to Asheville's vibrant and diverse movie offerings.
Rampant silliness and the chemistry of Julia Roberts and George Clooney more than compensate for predictable storytelling.
Louie Schwartzberg’s followup to “Fantastic Fungi” is a frustrating collection of tone-deaf, self-congratulatory platitudes.
Ruben Östlund’s Palme d’Or-winning satire masterfully skewers capitalism and the extremely wealthy.
This documentary about the Ram Dass associate plays more like a recorded lecture than a film.
David Gordon Green and Danny McBride finally fulfill their potential as horror filmmakers.
Andrew Dominik’s thoughtful examination of the myth of Marilyn Monroe is one of the year’s best films.
David O. Russell makes a sloppy return to the screen, though an impressive ensemble nearly rescues him.
This reimagining of the Clive Barker classic takes its time delivering scares, which are generally worth the wait.
Brett Morgen casts an entrancing spell with his excellent David Bowie documentary.
Jon Hamm finally gets the comedic leading role he's long deserved.
This failed evangelical satire is one of the most disorganized films of the past decade.
Javier Bardem adds to his already impressive resumé with this witty workplace dramedy.
A failure on practically every level, this purported satire might be the worst film of 2022.
George Miller, Tilda Swinton, and Idris Elba cast a marvelous spell in this visually stunning and emotionally rich fantasy.
Idris Elba tries to protect his two daughters from a bloodthirsty lion in this well-made Man vs. Nature thriller.
Short takes on “Fire of Love,” “Prey,” “Marcel the Shell with Shoes On,” “The Gray Man,” “RRR,” “Vengeance,” and “Mrs. Harris Goes to Paris.”
Jordan Peele’s latest winner adds a command of spectacle to his already impressive filmmaker toolbox.
Taika Waititi’s distinct blend of action and comedy works wonders in the fourth Thor film.