Wes Anderson continues to evolve with his most sophisticated film thus far.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Wes Anderson continues to evolve with his most sophisticated film thus far.
Alex Ross Perry’s masterful, genre-bending Pavement film blurs the line between reality and fiction.
The “Talk to Me” team returns with a dark, disturbing tale of grief.
French director Laura Piani’s rom-com is neither especially romantic or comedic.
Despite two thrilling stunt sequences, this once-mighty series end with a whimper.
The Weeknd and Trey Edward Shults team up for a hypnotic examination of creativity, fame, fandom, paranoia, and mental health.
MCU antiheroes unite for one of the saga’s best post-Endgame films.
Writer/director Joe Carnahan’s spotless record comes to an abrupt end with this sloppy action/comedy.
Jeremy Workman’s latest documentary is a testament to the power of art, resilience, and independent thought.
Directors Ray Mendoza and Alex Garland honor veterans and still deliver a harrowing anti-war message.
David Cronenberg’s potential swan song is also his best film since “Eastern Promises.”
Questionable directorial decisions are no match for the iconic band’s live prowess.
Ryan Coogler’s exciting, allegorically-rich horror film is one of the most creative vampire movies of all time.
This unfunny, overly esoteric collection of video game references and Tiktok videos fails to engage average viewers.
Naomi Watts plays the ultimate Karen in this sorry excuse for a dog movie.
Are “Snow White” or “The Alto Knights” worth seeing?
The once-mighty Anthony and Joe Russo achieve a new career low.
