This prequel is the best film in the series — but that’s still not saying much.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
This prequel is the best film in the series — but that’s still not saying much.
Alexander Payne reteams with Paul Giamatti for what could be the director’s best film yet.
The usually reliable Taika Waititi fails to score with this fact-based sports comedy.
Nia DaCosta’s convergence of Carol Danvers, Monica Rambeau, and Kamala Khan ably synthesizes their narrative strands with plentiful laughs and Marvel’s typical top-notch action.
David Fincher re-teams with Se7en screenwriter Andrew Kevin Walker to similarly memorable ends.
Yet another Sofia Coppola film that keeps emotions at a distance and only resonates on aesthetic levels.
Pedestrian filmmaking hampers this sharply written and acted Palme d’Or winner.
Martin Scorsese’s enthralling fact-based drama adds another masterpiece to his already legendary resumé.
Craig Gillespie’s wildly entertaining dramatization of the GameStop stock saga is one of the year’s best films.
John Carney adds to his already rich oeuvre of feel-good films about the healing power of music.
Gareth Edwards’ sci-fi epic lacks the content to match its technical elements.
Wes Anderson returns to the rich Roald Dahl well with charming adaptations of four short stories.
Sébastien Marnier’s slow-burn thriller rewards viewers’ patience.
Neill Blomkamp returns to form in this thoroughly entertaining (and surprisingly moving) fact-based auto racing flick.
Franz Rogowski, Adèle Exarchopoulos, and Ben Whishaw collide to memorable ends in Ira Sachs’ bisexual romance.
Latino representation in superhero films receives a boost with this decent origin story.
The usually reliable Ben Wheatley’s toothless sequel eschews the dumb fun of its predecessor.
