James and Edwin discuss Alex Garland’s trippy new horror film.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
James and Edwin discuss Alex Garland’s trippy new horror film.
The late Roger Michell’s final narrative film is lovely, well-rounded portrait of a real-life humanist.
Céline Sciamma’s wonderfully mischievous time-travel drama is loaded with thought-provoking concepts and emotional resonance.
This messy sequel barely feels like a Sam Raimi film — until it goes full “Evil Dead 2”/”Drag Me To Hell.”
Robert Eggers’ viking epic feels like it couldn’t have been told any better.
The next great midnight movie is here.
Though visually and sonically rich, this British period romance is agonizingly slow and demure in its exhibition of emotions.
A manipulative, unnecessary (and untrue) backstory is one of several factors that dilutes this fact-based mountain survival story.
All the new releases I saw in 2021, ranked from worst to best. Part Three covers films 1-50.
All the new releases I saw in 2021, ranked from worst to best. Part Three covers films 51-100.
All the new releases I saw in 2021, ranked from worst to best. Part Two covers films 101-150.
All the new releases I saw in 2021, ranked from worst to best. Part One covers films 151-185.
Not nearly as playful as it initially suggests, Ti West’s period horror film is a straightforward but generally well-crafted affair.
Ben Affleck, Ana de Armas, and a talented supporting cast embarrass themselves in Adrian Lyne’s ludicrous thriller.
The latest Ryan Reynolds/Shawn Levy collaboration is a busy mess with a few redeeming elements.
Domee Shi’s coming-of-age comedy further enhances Pixar’s legacy.
Mariama Diallo’s feature debut plays like the heir to “Get Out,” but falls apart at the end.
Kogonada’s soulful follow-up to “Columbus” explores love and humanity in unexpected places.
A decade after “The Dark Knight Rises,” it’s finally time to get excited about a new Batman again.
