This year’s nominees tackle such difficult subjects as homelessness and refugees — and the joys of a historic female basketball player.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
This year’s nominees tackle such difficult subjects as homelessness and refugees — and the joys of a historic female basketball player.
A clear favorite emerges from the latest batch of nominees, which features edgier fare than usual.
This year’s surprisingly subpar finalists range from dystopian to downright cruel.
High-quality popcorn entertainment in the tradition of the “National Treasure” and “Pirates of the Caribbean” series.
Creative twists on werewolf lore are marred by an overly slow-burn pace and repetitive action.
One of the worst Liam Neeson “man with a particular set of skills" movies thus far.
Owen Wilson rises to the occasion in this glitzy rom-com, while Jennifer Lopez struggles to keep up.
Anchored by a powerful Clifton Collins Jr. performance, Clint Bentley’s drama provides an unflinching look at professional horse racing.
Steven Soderbergh’s latest expertly crafted thriller is bolstered by a top-form Zoë Kravitz.
The series’ alleged curtain call delivers plenty of big laughs, but runs out of steam without its usual amount of hidden-camera pranks.
Wes Craven is sorely missed in the series’ worst installment thus far.
Jonas Poher Rasmussen’s animation/documentary hybrid puts a creative spin on an already unusual refugee saga.
This accidental YA parody hints at intentional farce, yet takes itself far too seriously.
James finds the latest big anime film overly grating, while Edwin considers it one of the year’s best films.
Ryusuke Hamaguchi’s meditation on loss and regret is one of the year’s best films.
This dopey espionage thriller wastes a talented cast and a decent premise.
Matthew Vaughn’s first mediocre film wastes a talented cast and a seemingly rich story.
Jon Watts’ best Spidey film yet is fan service done right.
