Guillermo del Toro star-studded noir starts slow but finishes strong.
Your guide to Asheville's vibrant and diverse movie offerings.
Guillermo del Toro star-studded noir starts slow but finishes strong.
The latest from Paul Thomas Anderson is an entertaining lark but largely devoid of substance.
Writer/director Sean Baker stays in his lane with this deeply flawed dramedy about a disgraced porn star’s return home.
The team of Steven Spielberg and Tony Kushner pay homage to the 1961 original while putting their own fresh twists on the material.
Lana Wachowski & Co.’s screenplay crackles, but the filmmaking hampers its potential.
George Clooney flirts with a new career low in this uninspired memoir adaptation.
Ridley Scott’s second film of 2021 is a mix of compelling performances, lush visuals, and spotty writing.
Will Smith delivers his first respectable performance in nearly a decade as the Williams Sisters’ father.
Jason Reitman carries on his family tradition with this thoroughly entertaining legacy sequel.
Reviews of three recent indies, starring Jason Isaacs, Amanda Seyfried, and Alicia Silverstone.
The latest MCU release plays more like a DCEU movie.
A miscast Kristen Stewart and a baffling script by Steven Knight sink this fantasia on Princess Diana.
Edgar Wright’s era-hopping horror/mystery is a spellbinding ride — until the plot kicks in.
Wes Anderson’s most ambitious film to date is also one of his best.
Scott Cooper’s hard-nosed style translates well to this dark, gritty tale of folkloric horror.
Denis Villeneuve & Co. take their time with this visually stunning adaptation that’s very much a Part One.
Far more dark fantasy than horror, this Icelandic slow-burn thriller is a master class in suspenseful wonder.
Matt Damon, Adam Driver, and Jodie Comer head to the Middle Ages for the engrossing true story of France’s 14th century #MeToo moment.
David Gordon Green & Co. ramp up the body count for this grisly sequel, but neglect their writing and directing duties.