The decade’s second documentary on the famed New York Times photographer tastefully expands the great man’s story.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
The decade’s second documentary on the famed New York Times photographer tastefully expands the great man’s story.
The heavy-handed, brightly-colored sequel is full of ebullient nonsense, but nevertheless has a positive message at its core.
The Chinese crime thriller cements Yi'nan Diao as a major creative talent.
The Georgian drama nicely combines first gay love with meditations on the risks of dedicating one's life to art.
Two equally uninteresting story lines, one in a girls’ school, one in Haiti 60 years ago, eventually collide in an incoherent finale.
The indie abortion drama flirts with greatness once the significance of its title is revealed.
This documentary asserts that gerrymandering is snuffing out representative democracy and uses Asheville as a case in point.
Johnny Depp ably portrays photographer W. Eugene Smith on his most famous assignment.
A gripping crime caper in which the nature of the caper remains ever elusive, “The Whistlers” also reveals a deep humanity.
Ken Loach’s latest stunner about the working class is the year’s most important film.
The Oscar-nominated Polish dramedy is a witty, moving exploration of faith that challenges and inspires viewers rather than panders to them.
The hyper-political Brazilian film transcends languages and borders with a potent universal message.
Jesse Eisenberg is future world-famous mime Marcel Marceau, who fought in the French Resistance, in this compelling World War II drama.
The charming indie comedy offers refreshingly straightforward depictions of abortion, gay parenting, and postpartum depression.
The dopey action flick might have stood a chance with a talented star and director.
Pete Davidson and Griffin Gluck are a comedic dream team in this offbeat coming-of-age comedy.
Benh Zeitlin’s unfortunate Peter Pan riff has much in common with his bafflingly celebrated “Beasts of the Southern Wild.”
Will Forte and a talented Irish cast are hilarious in this silly paranormal comedy.
Some viewers may be offended, but a fine lead performance by Betty Gilpin makes this dark comedy worth checking out.
Anne Dagg has been labeled the “Jane Goodall of giraffe research,” but her story is in many ways the more remarkable one.
