Michael Winterbottom and Steve Coogan keep their winning streak intact with this hilarious yet sobering satire on wealth inequality in the fashion industry.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Michael Winterbottom and Steve Coogan keep their winning streak intact with this hilarious yet sobering satire on wealth inequality in the fashion industry.
Superb performances by Liam Neeson and Lesley Manville create a familiar portrait of a long-term couple, but their isolation limits the movie’s achievement.
The somber Russian drama is a remarkably mature and accomplished film.
Ben Affleck and Gavin O’Connor continue their, er, winning streak with this generally non-cliché blending of alcoholism and sports tropes.
All the new releases I saw in 2019, ranked from worst to best. Part Five covers films 1-50.
All the new releases I saw in 2019, ranked from worst to best. Part Four covers films 51-100.
All the new releases I saw in 2019, ranked from worst to best. Part Three covers films 101-150.
The Asheville Movie Guys discuss the latest adaptation of the Jane Austen classic.
All the new releases I saw in 2019, ranked from worst to best. Part Two covers films 151-200..
All the new releases I saw in 2019, ranked from worst to best. Part One covers films 201-220.
A fairly standard, stuffy costume drama, despite strong performances and occasional big emotions.
Leigh Whannell’s latest winner is heavy on quality suspense and scares, but light on character development and logic.
Over-acting and poor writing doom this would-be inspirational biopic about the French New Wave star.
In the spirit of Pavarotti comes another slick, entertaining, informative, music-filled documentary about an act that shaped the history of popular music.
Despicable Russian oligarch Mikhail Khodorkovsky takes on a contradictory heroic cast in his two-decade fight with Vladimir Putin.
The film traces the months leading up to the 1995 assassination of Israeli prime minister Yitzhak Rabin, but the topic of “incitement” by political rhetoric remains vital today.
The “Goodnight Mommy” team returns with another top-notch psychological thriller.
The horror sequel follows the winning formula of its creepy predecessor, then contradicts itself in the name of mythology.
Kitty Green’s dull Weinstein-inspired drama is a frustrating exploration of a hyper-important topic.
