In Pedro Almodovar’s most autobiographical film, a melancholy present day is tempered by vibrant boyhood memories.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
In Pedro Almodovar’s most autobiographical film, a melancholy present day is tempered by vibrant boyhood memories.
James Mangold’s fact-based auto-racing film is old school Hollywood entertainment at its finest.
Adam Driver is mesmerizing in Scott Z. Burns’ fact-based political procedural.
With the movie fresh in their minds, fans will want to linger in this museum-quality exhibition of sets, props, costumes, and historical tidbits.
Romance blended with recovery drama, the movie is almost guaranteed to defy whatever expectations you have of it going it.
Badass women, deadpan humor, and (eventually) exhilarating action make for an entertaining new Terminator film.
This sequel to “The Shining” utilizes fine craftsmanship to blend of elements from Stephen King and Stanley Kubrick into a satisfying tale of supernatural suspense.
Pre-tweens will enjoy the lame jokes employing poop, farts, mud, pratfalls, and the so on, but parents — and filmmakers — can do better.
Dated special effects, an overly reverent script, and one of the dullest, whitest casts ever assembled pay poor homage to WWII heroes.
This fact-based French drama is a landmark achievement in humanizing the impact of sexual abuse by Catholic priests and just as gripping as Spotlight.
Conservative talk show hosts Dennis Prager and Adam Carolla lead this engaging documentary that asks, When does the right to protest infringe on the right to speak?
Kristina Guckenberger (Mountain Xpress) makes her Asheville Movies debut to discuss Taika Waititi’s hilarious and moving anti-hate satire.
The film aims to condemn President Trump, not because he associated with the notoriously corrupt attorney, but because Trump emulates him.
Under the formerly reliable Kasi Lemmons, Harriet Tubman’s story gets the Lifetime movie treatment.
Every aspect of Edward Norton’s ‘50s-set noir is good enough, but mysteriously never aspires to greatness.
The concert doc is a pleasant way to experience Bruce Springsteen's new album.
As a crime action drama, it isn’t bad, but it seems to be a movie made without an audience.
The post-apocalyptic gang’s all here for this thoroughly entertaining sequel.
It’s not the most insightful historical recreation, but it is a hell of a story, told with top production values and luminous cinematography.
Eddie Murphy, Wesley Snipes, and director Craig Brewer all return to form in this hilarious, entertaining, foul-mouthed biopic.
