Takashi Miike adds comedy to his stylistic violence with great success.
Your guide to Asheville's vibrant and diverse movie offerings.
Takashi Miike adds comedy to his stylistic violence with great success.
Robert Eggers’ follow-up to The Lighthouse is one of the year’s most unpleasant viewing experiences.
Leaving “Sleeping Beauty” behind in favor of “Game of Thrones” territory, this action-packed sequel is a captivating allegory about misbegotten war.
What is the brilliant director Ang Lee doing directing this potboiler with a weary Will Smith trying to make an action comeback?
The storytelling is Saturday morning quality; the production values are theatrical grade, but with little flair to divert anyone older than about seven.
Noah Hawley’s feature directorial debut is a forgettable one.
The seemingly endless beneficial properties of mushrooms are extolled via gorgeous time-lapse photography and compelling interviews.
The comedy team of Hannah Pearl Utt and Jen Tullock deliver steady delights in this NYC-set tale of familial dysfunction.
Is Joaquin Phoenix’s take on the DC villain terrific or terrible? The Asheville Movie Guys are not joking around in this heated debate.
Three Oscar nominees could emerge from the collection of 10 short films from around the world.
It’s thoroughly engaging and consistently entertaining — as well as being shamelessly commercial.
Beyond Renee Zellweger’s all-in performance, the Judy Garland biopic offers few memorable takeaways.
The chronicle of the first dedicated hospital ward for AIDS patients is one of the most difficult and moving documentaries of 2019 so far.
Sylvester Stallone makes arguably his strongest case yet that he should have retired after Cliffhanger.
With ambitions well beyond its science fiction adventure plot line, the movie melds intense character conflicts with the oft-asked question: Are humans alone in the universe?
The film offers pretty much everything a fan could want from a feature-length continuation of the beloved "Masterpiece" series.
The energetic, entertaining, and enlightening documentary is bound to spark renewed interest in the late, great journalist and her dedication to active citizenship.
With remarkably frank interviews with its subject, this doc is a case study in talent given early means to excess and abuse.
Director John Crowley has created a passable Reader’s Digest gloss on Donna Tartt’s great novel.
Whether you remember her at her peak or not, you’ll be amazed that someone could have had her career and connections.