Dated special effects, an overly reverent script, and one of the dullest, whitest casts ever assembled pay poor homage to WWII heroes.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Dated special effects, an overly reverent script, and one of the dullest, whitest casts ever assembled pay poor homage to WWII heroes.
This fact-based French drama is a landmark achievement in humanizing the impact of sexual abuse by Catholic priests and just as gripping as Spotlight.
Conservative talk show hosts Dennis Prager and Adam Carolla lead this engaging documentary that asks, When does the right to protest infringe on the right to speak?
Kristina Guckenberger (Mountain Xpress) makes her Asheville Movies debut to discuss Taika Waititi’s hilarious and moving anti-hate satire.
The film aims to condemn President Trump, not because he associated with the notoriously corrupt attorney, but because Trump emulates him.
Under the formerly reliable Kasi Lemmons, Harriet Tubman’s story gets the Lifetime movie treatment.
Every aspect of Edward Norton’s ‘50s-set noir is good enough, but mysteriously never aspires to greatness.
The concert doc is a pleasant way to experience Bruce Springsteen's new album.
As a crime action drama, it isn’t bad, but it seems to be a movie made without an audience.
The post-apocalyptic gang’s all here for this thoroughly entertaining sequel.
It’s not the most insightful historical recreation, but it is a hell of a story, told with top production values and luminous cinematography.
Eddie Murphy, Wesley Snipes, and director Craig Brewer all return to form in this hilarious, entertaining, foul-mouthed biopic.
Takashi Miike adds comedy to his stylistic violence with great success.
Robert Eggers’ follow-up to The Lighthouse is one of the year’s most unpleasant viewing experiences.
Leaving “Sleeping Beauty” behind in favor of “Game of Thrones” territory, this action-packed sequel is a captivating allegory about misbegotten war.
What is the brilliant director Ang Lee doing directing this potboiler with a weary Will Smith trying to make an action comeback?
The storytelling is Saturday morning quality; the production values are theatrical grade, but with little flair to divert anyone older than about seven.
Noah Hawley’s feature directorial debut is a forgettable one.
The seemingly endless beneficial properties of mushrooms are extolled via gorgeous time-lapse photography and compelling interviews.
The comedy team of Hannah Pearl Utt and Jen Tullock deliver steady delights in this NYC-set tale of familial dysfunction.
