Under the formerly reliable Kasi Lemmons, Harriet Tubman’s story gets the Lifetime movie treatment.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Under the formerly reliable Kasi Lemmons, Harriet Tubman’s story gets the Lifetime movie treatment.
Every aspect of Edward Norton’s ‘50s-set noir is good enough, but mysteriously never aspires to greatness.
The concert doc is a pleasant way to experience Bruce Springsteen's new album.
As a crime action drama, it isn’t bad, but it seems to be a movie made without an audience.
The post-apocalyptic gang’s all here for this thoroughly entertaining sequel.
It’s not the most insightful historical recreation, but it is a hell of a story, told with top production values and luminous cinematography.
Eddie Murphy, Wesley Snipes, and director Craig Brewer all return to form in this hilarious, entertaining, foul-mouthed biopic.
Takashi Miike adds comedy to his stylistic violence with great success.
Robert Eggers’ follow-up to The Lighthouse is one of the year’s most unpleasant viewing experiences.
Leaving “Sleeping Beauty” behind in favor of “Game of Thrones” territory, this action-packed sequel is a captivating allegory about misbegotten war.
What is the brilliant director Ang Lee doing directing this potboiler with a weary Will Smith trying to make an action comeback?
The storytelling is Saturday morning quality; the production values are theatrical grade, but with little flair to divert anyone older than about seven.
Noah Hawley’s feature directorial debut is a forgettable one.
The seemingly endless beneficial properties of mushrooms are extolled via gorgeous time-lapse photography and compelling interviews.
The comedy team of Hannah Pearl Utt and Jen Tullock deliver steady delights in this NYC-set tale of familial dysfunction.
Is Joaquin Phoenix’s take on the DC villain terrific or terrible? The Asheville Movie Guys are not joking around in this heated debate.
Three Oscar nominees could emerge from the collection of 10 short films from around the world.
It’s thoroughly engaging and consistently entertaining — as well as being shamelessly commercial.
Beyond Renee Zellweger’s all-in performance, the Judy Garland biopic offers few memorable takeaways.
The chronicle of the first dedicated hospital ward for AIDS patients is one of the most difficult and moving documentaries of 2019 so far.
