Beyond a fun new Timon and Pumbaa, Disney’s latest remake is little more than another nostalgia-driven cash-grab.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Beyond a fun new Timon and Pumbaa, Disney’s latest remake is little more than another nostalgia-driven cash-grab.
Stuber’s lead actors are talented and appealing, but they’re trapped in a poorly thought out, sloppily executed movie that does them no favors.
You have to respect horror B-movie producer-director Alexandre Aja’s steadfast devotion to his absurd killer alligator story.
Jessie Buckley anchors this honest look at the quest for musical stardom.
Poetic moments define Joe Talbot’s moving portrait of gentrification’s victims in the Bay Area.
Just two films in, is the new Spider-Man series one of the best solo superhero sagas Marvel has yet to produce?
Ari Aster’s masterful follow-up to Hereditary wisely favors dread over cheap horror scares.
The third film in the lousy creepy doll series is overrun with human ineptitude and all but absent of scares.
In Danny Boyle’s delightful Boomer fantasy, a struggling musician awakens to a world in which The Beatles don’t exist — and does his best to fill that absence.
Though Dylan in the Canyon is a more accurate title, this tribute to Laurel Canyon’s musical legacy is frequently magical.
Polygamy is a heavy lift for a light comedy, but the lead performers’ likability keeps the movie afloat.
Following the twists and turns of this female assassin flick is moderately interesting if you don’t think too much about the absurdity of the body count.
This is the Rocketman for Tosca fans, a celebratory recounting of a life of countless unique and momentous episodes and unforgettable music.
The latest installment in the Pixar franchise is a richly entertaining experience that addresses some big doctrinal questions about toydom.
The near complete overhaul of the killer doll series works better as a concept than an actual film.
F. Gary Gray’s clustercuss of a sequel is one of the year’s worst films.
Big laughs help compensate for unimaginative plotting in this entertaining sequel.
Just a few weeks after the pleasures of Long Shot comes another smart adult comedy, showcasing Emma Thompson and Mindy Kaling.
Jim Jarmusch’s delightfully deadpan zombie movie makes excellent use of a talented ensemble cast.
Kenneth Branagh, Judi Dench, and Ian McKellan join forces in Branagh’s appealing William Shakespeare biopic.
