Like super-powered mutants, the Asheville Movie Guys land on opposite sides and face off over this maybe-final installment in the X-Men series.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Like super-powered mutants, the Asheville Movie Guys land on opposite sides and face off over this maybe-final installment in the X-Men series.
Another fine performance from Blythe Danner buoys this unchallenging movie about a dedicated survivalist (John Lithgow) looking for companionship.
Dreadfully slow and plain old dreadful, the ‘80-set British drama’s unlikable characters and simple story are barely worthy of a subplot in a larger, better film.
Squandering a rare lead performance by Octavia Spencer, Tate Taylor’s new sorta-thriller suffers from an identity crisis.
It’s like Modern Family goes to Australia — beloved characters on amusing new adventures with only tangential connection to their original charms.
This edgy and honest musical based on the songs and life of Elton John features an excellent performance by Taron Egerton in the lead role.
Welcome to 130 minutes of ear-splitting boredom and feeling sad for really good actors in a really bad movie.
The remarkable real-life story of Soviet ballet star Rudolf Nureyev’s visit to Paris in 1961 is compellingly recreated by actor-director Ralph Fiennes.
Unapologetically frank and real, Olivia Wilde’s directorial debut is a comedic joyride.
Olivier Assayas’ returns to meditations on art, commerce, and flawed celebrities with a look at the Parisian publishing world.
The Asheville Movie Guys crash-land in Kansas with an evil Superman. What could possibly go wrong?
The misunderstood Emily Dickinson gets the revisionist history she deserves.
Compelling performances by Judi Dench and Sophie Cookson are undermined by sluggish pacing and flat direction in this fact-based spy drama.
The pleasant period dramedy from the Downton Abbey team has a sensibility closer to a classy TV movie than to a more nuanced indie drama.
Back for another taste of the old ultra-violence, Keanu Reeves adds to the legacy of what could be his best character — or at least his most fitting.
It’s the YA variation on a popular movie theme: It sucks to meet your soul mate at an inconvenient turning point in your life.
For viewers agnostic about Pokémon, this dopey, laugh-free “mystery” might be the year’s worst film.
Diane Keaton and an entertaining finale rescue this thinly written senior comedy.
The comedic talents of Anne Hathaway and Rebel Wilson are largely wasted in this gender-swap remake of Dirty Rotten Scoundrels.
