Jonah Hill’s directorial debut is a promising but all too brief look at rites of passage in a bygone era.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Jonah Hill’s directorial debut is a promising but all too brief look at rites of passage in a bygone era.
The Asheville Movie Guys join Robert Redford on his alleged final heist.
The timely, well-made adaptation of the best-selling novel plays like a YA cousin of Blindspotting, down to several parallel scenes.
Ike Barinholtz takes a plausible, Purge-like premise of governmental overreach and filters it through unappealing, ultimately toothless means.
Will the confrontation between a now-weaponized Laurie Strode and the still unkillable Michael Myers provide a Home Alone of horror?
The convergence of beloved indie film talent yields mediocre results in this tonally odd western.
Alex Honnold is an extraordinary individual, and this documentary matches his amazing abilities and dedication.
The Asheville Movie Guys offer opposing takes on Drew Goddard’s new thriller.
The Asheville Movie Guys take different trajectories with Damien Chazelle’s Neil Armstrong biopic.
Strong performances by Keira Knightley and Dominic West are hampered by flat filmmaking in this would-be provocative biopic.
The prospect of joining Dames Eileen Atkins, Judi Dench, Joan Plowright and Maggie Smith for a weekend in the country is as delightful as it sounds.
This informative profile of Japanese artist Yayoi Kusama resembles a video accompaniment to a magazine profile instead of a documentary film.
Tom Hardy shows off an appealing, awkward comic side in this charmingly weird comic book flick.
Lady Gaga and Bradley Cooper make beautiful music in the latter’s directorial debut, but the film fails to deliver the emotional wallop it seemingly promises.
The year of films about real-life art heists rolls on with this seriocomic look at the 1985 looting of Mexico City’s National Anthropology Museum.
The Asheville Movie Guys watch Michael Moore repeatedly ask, “Who is America?” and attempt to explain how the U.S. got to its current volatile situation.
Tiffany Haddish, Kevin Hart and an appealing supporting cast have contagious fun in this predictable comedy.
The violent, messy hodgepodge of influences ranging from The Purge to De Palma is meritless even as social critique.
Emma Thompson delivers her best performance since 2013 in this sharp adaptation of Ian McEwan’s novel.
Relative obscurity works in the favor of Ethan Hawke’s imaginative biopic of cult country musician Blaze Foley.
