Eli Roth pivots from gory to Gorey (of the Edward variety) and fares nearly as poorly.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Eli Roth pivots from gory to Gorey (of the Edward variety) and fares nearly as poorly.
Lizzie is not the definitive solution to the real-life 1892 axe murder mystery, but it's a intriguing effort with some fresh ideas and fine performances.
Gilda Radner gets the standard bio-doc treatment in this fun, informative and all too short film.
Dan Fogelman’s star-studded dramedy is a disaster so dedicated to its failed approach that the consistency results in its own form of must-see entertainment.
Scotty Bowers, behind-the-scenes sexual connecter to the stars, is the focus of this lively but straightforward documentary.
The Florida Project + better child actors - Willem Dafoe = Jeremiah Zagar’s adaptation of Justin Torres’ novel.
Shane Black’s irreverent sci-fi action/comedy is welcome entertainment after the past few weeks of dull studio fare.
With major help from Anna Kendrick, Blake Lively and screenwriter Jessica Sharzer, Paul Feig directs his first quality film since Bridesmaids.
Newcomer Richie Merritt holds his own opposite Matthew McConaughey in this decent fact-based crime drama.
The Asheville Movie Guys fly to Stockholm with Glenn Close and Jonathan Pryce for this literary drama.
A blood-drenched, revenge-seeking Nicolas Cage has its charms, but Mandy is otherwise a good example of how not to make an ‘80s homage.
Jennifer Garner’s return to action hero work is undermined by cheap bloodlust.
The minds behind the latest Conjuring spin-off have no clue what to do with a promising horror set-up.
The director of Harry and Snowman turns his attention to a Camden, S.C. couple’s canine rescue efforts.
Not even Bill Nighy can save this faux Anglophilic charmer from its boring fate.
John Chu and a lack of the supernatural ensure a better screen-based experience than Unfriended, but limitations remain rampant.
The dramatization of Mossad’s operation to bring Adolph Eichmann to justice is a tame addition to the Nazi-hunting subgenre.
Rose Byrne and Ethan Hawke are thoroughly charming in one of the more mature and honest looks at romance in recent cinema.
Kelly Macdonald and Irrfan Khan are their usual likable selves in the service of Marc Turtletaub’s surprisingly complex jigsaw-centered dramedy.
The first of the fall’s two gay conversion therapy camp dramas is compelling yet predictable.
