All the new releases I saw in 2017, ranked from worst to best. Part Four covers films 40-79.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All the new releases I saw in 2017, ranked from worst to best. Part Four covers films 40-79.
All the new releases I saw in 2017, ranked from worst to best. Part Three covers films 80-119.
All the new releases I saw in 2017, ranked from worst to best. Part Two covers films 120-159.
All the new releases I saw in 2017, ranked from worst to best. Part One covers films 160-208.
Paul Thomas Anderson and Daniel Day-Lewis reunite a decade after There Will Be Blood and, with help from two immensely talented actresses, achieve similar success.
The Asheville Movie Guys crank up the action for a mid/late January double feature.
Where do the Asheville Movie Guys stand on the critically acclaimed coming-of-age film?
Robin Campillo's French AIDS drama plays out in such an authentic fashion that it frequently resembles a documentary.
With the clock ticking on the Obama presidency, Greg Barker documents its key players' victories and shortcomings.
Packed with great performances, Aaron Sorkin's directorial debut appropriately matches the energy of his writing.
The Asheville Movie Guys escape the heaviness of Oscar season with a double dose of froth and ponder whether 2018 is The Year of the Train.
Steven Spielberg's star-studded take on the Washington Post's handling of the Pentagon Papers is one of the year's best, most entertaining and most important films.
Seemingly improved by its last-minute recasting, the dramatization of the John Paul Getty III kidnapping is little more than a classic shaggy Ridley Scott film.
The Insidious series sees some regression in its fourth installment, but retains the title of horror greatest set of connected films.
Joe Wright steps out of the way to let Gary Oldman deliver a towering performance as Winston Churchill.
Though slightly less fun than its predecessors, round three with the Barden Bellas nonetheless keeps the entertainment quotient high.
Despite a talented cast and the La La Land songwriting team, this P.T. Barnum musical is a dud.
Alexander Payne's satirical comedy offers visual gags galore alongside insightful commentary on modern life and where humanity might be going.
