Despite its quizzical existence, the fun, goofy comedic adventure is basically a PG-13 analog for the R-rated Jump Street movies.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Despite its quizzical existence, the fun, goofy comedic adventure is basically a PG-13 analog for the R-rated Jump Street movies.
May the Force be with the Asheville Movie Guys as they fire up their lightsabers and discuss Rian Johnson's jambalaya of cute gags, self-doubting heroes and disconnected action sequences.
The frequently unpleasant, '50s-set drama is the second consecutive Woody Allen feature to raise the question of whether he has quality stories left to tell.
Oh hi, Movie Guys! What do you think of James Franco's take on the making of The Room?
Set inside a nunnery at the advent of Vatican II reforms, Margaret Betts’ coming-of-age drama flirts with greatness before ultimately succumbing to mediocrity.
Norwegian filmmaker Joachim Trier makes an entertaining detour with this psychological thriller of a college student with unusual powers.
The sequel not only bests its predecessor in every conceivable way but ranks among the year’s top comedies, seasonal or otherwise.
The behind-the-scenes look at the creation of A Christmas Carol is the rare film about a writer that manages to make the creative process cinematically entertaining.
Denzel Washington and Dan Gilroy (Nightcrawler) join forces to terrific ends in this character-driven legal gem.
Ruben Östlund pulls a near 180 from his miserable Force Majeure with this blistering satire of the art world and its inhabitants.
Cribbing from a hodgepodge of successful big-budget series pays dividends for the latest in the long-suffering current DC film saga.
The Asheville Movie Guys scout out locations in Sylva while debating Martin McDonagh's locally-filmed dark comedy.
Greta Gerwig's solo directorial debut is entertaining and admirable on many levels, but remains on the brink of greatness.
Under the direction of Kenneth Branagh, the best that the latest star-studded adaptation of Agatha Christie’s Murder on the Orient Express can hope for is a manslaughter charge.
Todd Haynes' latest experiment in gorgeous period filmmaking challenges viewers with its portrayal of deafness over dual storylines.
The Asheville Movie Guys visit the real Hundred Acre Wood and reflect on the surprisingly dark story behind Winnie the Pooh.
Sean Baker's follow-up to Tangerine gets a major boost from Willem Dafoe, but is otherwise another endurance test with unlikeable and irredeemable characters.
Brett Morgen's Jane Goodall documentary is another hit for the filmmaker, but not quite up to the standard of his best work.
The raunchy sequel is nearly as funny and entertaining as the original, definitely as mawkish and a good bit more hypocritical.
