A failure on practically every level, this purported satire might be the worst film of 2022.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Horror
A failure on practically every level, this purported satire might be the worst film of 2022.
Jordan Peele’s latest winner adds a command of spectacle to his already impressive filmmaker toolbox.
Thick atmosphere and a few good jump scares can’t save this so-so horror film.
James and Edwin discuss Alex Garland’s trippy new horror film.
Not nearly as playful as it initially suggests, Ti West’s period horror film is a straightforward but generally well-crafted affair.
Mariama Diallo’s feature debut plays like the heir to “Get Out,” but falls apart at the end.
Creative twists on werewolf lore are marred by an overly slow-burn pace and repetitive action.
Wes Craven is sorely missed in the series’ worst installment thus far.
Edgar Wright’s era-hopping horror/mystery is a spellbinding ride — until the plot kicks in.
Scott Cooper’s hard-nosed style translates well to this dark, gritty tale of folkloric horror.
Far more dark fantasy than horror, this Icelandic slow-burn thriller is a master class in suspenseful wonder.
David Gordon Green & Co. ramp up the body count for this grisly sequel, but neglect their writing and directing duties.
Nia DaCosta’s sequel succeeds as a horror film, but is less effective as a social thriller.
Reviews of new films from Stephen Daldry, Chase Palmer, and Neill Blomkamp.
James Wan is sorely missed behind the camera in this lackluster horror sequel.
Ben Wheatley’s pandemic horror flick is just suspenseful enough to work, but feels hemmed in by COVID restrictions.
Besides a few arresting images, Rose Glass’ plodding attempt at horror via religious zealotry is a near pointless exercise.
