James Gunn’s violent and funny take on the band of DC criminal misfits is a step up from David Ayer’s 2015 attempt, but also feels like a missed opportunity.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Adventure
James Gunn’s violent and funny take on the band of DC criminal misfits is a step up from David Ayer’s 2015 attempt, but also feels like a missed opportunity.
A pastiche of Disney’s ride, its “Pirates” franchise, and the jokey action of “Jumanji,” this “Jungle Cruise” is a wacky journey that’s surprisingly delightful.
Reviews of Pig, Space Jam: A New Legacy, Escape Room: Tournament of Champions, Joe Bell, and Val.
The action sequences and central conflict finally align for a passable F&F film…or the series has finally turned Edwin’s brain to mush. You decide.
Zack Snyder’s first non-superhero film in a decade sheds the self-importance of his DCEU efforts, but is rife with other issues.
Josh McCormack and Edwin Arnaudin discuss the latest clash of the titans.
The ultimate vanity project, this four-hour endurance test is the work of a director so lost in his personal interests that the level of egotism would be impressive if the film itself wasn’t so poorly made.
Tom Holland and Daisy Ridley struggle under Doug Liman’s direction in this sci-fi dud.
This generally empty military thriller is occasionally enlivened by Anthony Mackie’s android officer and other sci-fi sights.
Patty Jenkins, Gal Gadot & Co. let loose and improve on the series’ safe, basic predecessor.
George Clooney gets back on track as a filmmaker with help from an appealing ensemble and slick special effects.
Paul Greengrass’ reunion with Tom Hanks is a dull, forgettable affair.
A movie about a worldwide calamity seems ill-timed, but Gerard Butler’s crashing-comet disaster movie “Greenland” is here nonetheless.
Christopher Nolan's latest mind-bending adventure is wildly entertaining and immensely frustrating.
The animated series experiences a major evolutionary leap forward in this fast and funny sequel.
Anne Hathaway embarrasses herself early and often in Robert Zemeckis’ uninspired Roald Dahl adaptation.
A lousy script and a flaccid lead performance hamper this post-apocalyptic adventure/comedy.
