Yorgos Lanthimos returns to his twisted satiric ways with this darkly comedic triptych.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Yorgos Lanthimos returns to his twisted satiric ways with this darkly comedic triptych.
The first of Kevin Costner’s four-part series plays like a corny but entertaining TV movie.
This series prequel features similar traits that plagued and uplifted its two predecessors.
Playwright Annie Baker’s first film is well-made, pleasant…and kind of pointless.
Joshua John Miller’s uneven film is essentially the “Scream” of exorcism movies.
Writer/director Jeff Nichols maintains his flawless track record with this emotionally rich, fact-based tale of 1960s biker life.
The “Saint Frances” team returns with another hilarious yet emotionally rich film.
Much like her talented father 25 years ago, writer/director Ishana Night Shyamalan is a talent to watch.
June Squibb and Richard Roundtree aren’t the heroes we deserve, but they’re the ones we need
Daina Oniunas-Pusic’s imaginative feature directorial debut is also a bit one-note.
Ally Pankiw’s film is a messy jumble of genres and failed attempts at humor.
The team of Lena Dunham and Stephen Fry proves ill-suited for this Holocaust drama.
Richard Linklater’s latest fact-based winner makes the most of star Glen Powell’s charms.
Filmed in Hendersonville, this lousy, star-studded comedy’s lone appeal is the local scenery.
Ryusuke Hamaguchi’s follow-up to “Drive My Car” is another soulful stunner.
Pamela Adlon’s directorial debut serves of nearly non-stop laughs and Intelligent commentary on adult friendships, modern motherhood, and other mature matters.
Director Wes Ball improbably delivers the series’ best installment since 2011.
David Leitch’s action/comedy is an overstuffed but loving ode to the stunt community.
