Celine Song’s phenomenal feature debut is the film to beat in 2023.
Your guide to Asheville's vibrant and diverse movie offerings.
Christopher McQuarrie and Tom Cruise continue to suck the joy out of this long-running series.
Patrick Wilson’s directorial debut is a bizarre vanity project that taints the horror series’ formerly good name.
While Harrison Ford and several other familiar faces are back, along with some amusing nods to the original trilogy, this concluding (?) installment is defined more by what’s absent onscreen.
Dominik Moll’s police procedural is the French equivalent of “Memories of Murder.”
Wes Anderson sticks the landing on his most ambitious narrative yet.
Action and comedy blend well in this multiverse tale that unites old favorites and new heroes.
The jokes keep coming in this horror/comedy that’s not nearly the genre-skewering event that was “promised.”
Yogi Berra gets his due in this bio-doc that comes off more desperate than its filmmakers likely intended.
Suzanne Raes’ documentary provides a fascinating behind-the-scenes look at the Rijksmuseum’s stunning exhibition.
Margaret Qualley and Christopher Abbott manipulate each other in this over-stretched erotic thriller.
Isa and Edwin discuss the sequel to the Oscar-winning animated extravaganza.
The latest dramatized product chronicle is one of the year’s best films — until an epic collapse undermines its significant gains.
A committed Jennifer Lopez can only do so much to help this bland action/thriller.
Scene-stealing turns by Jason Momoa and John Cena pair nicely with the series’ usual ridiculous action set pieces.
Kelly Reichardt’s latest character study is sparse and dry even by the filmmaker’s arid standards.