After a second trilogy of depressingly diminishing returns, it’s time for the dino series’ extinction.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
After a second trilogy of depressingly diminishing returns, it’s time for the dino series’ extinction.
David Cronenberg’s latest body horror film is merely weird for weird’s sake.
Heart-pounding action sequences battle lackluster writing and performances in this uneven legacy sequel.
The legendary pitcher gets the bio-doc treatment in this entertaining retrospective.
Big emotional highs and the magic of moviemaking combine in this lovely adventure with the Crawleys.
James and Edwin discuss Alex Garland’s trippy new horror film.
The late Roger Michell’s final narrative film is lovely, well-rounded portrait of a real-life humanist.
Céline Sciamma’s wonderfully mischievous time-travel drama is loaded with thought-provoking concepts and emotional resonance.
This messy sequel barely feels like a Sam Raimi film — until it goes full “Evil Dead 2”/”Drag Me To Hell.”
Robert Eggers’ viking epic feels like it couldn’t have been told any better.
The next great midnight movie is here.
Though visually and sonically rich, this British period romance is agonizingly slow and demure in its exhibition of emotions.
A manipulative, unnecessary (and untrue) backstory is one of several factors that dilutes this fact-based mountain survival story.
All the new releases I saw in 2021, ranked from worst to best. Part Three covers films 1-50.
All the new releases I saw in 2021, ranked from worst to best. Part Three covers films 51-100.
All the new releases I saw in 2021, ranked from worst to best. Part Two covers films 101-150.
All the new releases I saw in 2021, ranked from worst to best. Part One covers films 151-185.
Not nearly as playful as it initially suggests, Ti West’s period horror film is a straightforward but generally well-crafted affair.
Ben Affleck, Ana de Armas, and a talented supporting cast embarrass themselves in Adrian Lyne’s ludicrous thriller.
