The stars do their thing, but this bloated, ridiculous action-comedy sequel never escapes the realm of the distasteful.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
The stars do their thing, but this bloated, ridiculous action-comedy sequel never escapes the realm of the distasteful.
This TV-quality animated film does the job of turning Netflix’s “Spirit Riding Free” series into a movie, targeted to pre-tween fans. Others should steer clear.
James Wan is sorely missed behind the camera in this lackluster horror sequel.
Craig Gillespie’s slick Disney villain origin story has much in common with his Tonya Harding biopic.
The Asheville Movie Guys discuss the big-screen adaptation of Lin-Manuel Miranda’s first musical.
A British journalist plays a risky game of deception with a terrorist recruiter in Timur Bekmambetov tense Screenlife thriller.
Taylor Sheridan’s wilderness-set thriller is his second misguided writing collaboration of 2021.
Zack Snyder’s first non-superhero film in a decade sheds the self-importance of his DCEU efforts, but is rife with other issues.
The Asheville Movie Guys discuss Joe Wright’s star-studded thriller.
All the new releases I saw in 2020, ranked from worst to best. Part Five covers films 1-50.
All the new releases I saw in 2020, ranked from worst to best. Part Four covers films 51-100.
All the new releases I saw in 2020, ranked from worst to best. Part Three covers films 101-150.
All the new releases I saw in 2020, ranked from worst to best. Part Two covers films 151-200.
All the new releases I saw in 2020, ranked from worst to best. Part One covers films 201-226.
Billy Crystal and Tiffany Haddish display top-notch chemistry in this charming memory-loss dramedy.
Guy Ritchie and Jason Statham reunite for this grim yet thoroughly entertaining thriller.
Roy Andersson doles out 33 slice-of-life vignettes that carry significant individual and cumulative power.
This visually sumptuous and poetic portrait of elderly men who hunt for the culinary delicacy with trained dogs captures a disappearing quirk of Northern Italian culture.
There are no gimmicks or twists to be found here — just a straightforward terminal illness drama that allows genuine emotions to shine through in every interaction.
