Vince Vaughn and Kathryn Newton are hilarious in Christopher Landon’s bloody body-swap horror/comedy.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Vince Vaughn and Kathryn Newton are hilarious in Christopher Landon’s bloody body-swap horror/comedy.
The latest from Irish animation artist Tomm Moore is visually sumptuous and relates a captivating myth.
A mild comedy shot in long takes, this unusual indie film hits some rough patches but is ultimately worth the climb.
The Asheville Movie Guys discuss Woody Allen’s new romantic comedy.
Ever been stuck in a 4-1/2-hour Zoom meeting about the minutia of city government? That’s what this highly uninformative doc is like.
Kyle Thrash’s documentary on Philadelphia Eagles’ fans during the 2017 season is a fascinating example of a filmmaker being in the right place at the right time.
Diane Lane and Kevin Costner reunite in this well-written and acted thriller.
It’s a remarkable immigration success story about the man who beat back Dunkin Donuts in California. But it isn’t all sprinkles and cream.
Sacha Baron Cohen and Maria Bakalova earn plentiful laughs in this rare sequel that improves on its predecessor.
The poignant emotions of this chamber drama will be recognizable to any adult child coming to understand the full humanity of his or her own mother.
Jacob Chase’s confident horror feature is rich in scares and social commentary.
Anne Hathaway embarrasses herself early and often in Robert Zemeckis’ uninspired Roald Dahl adaptation.
This gentle, gritty Italian comedy about three pensioners turns on the tension between “the grass is always greener” and “home sweet home.”
Ben Wheatley’s colorful take on Daphne Du Maurier’s gothic novel improves on Alfred Hitchcock’s vision.
Featuring a peak “late career” Bill Murray performance, Sofia Coppola’s new comedy may be her best film yet.
Two fine new documentaries approach criminal justice reform from different realms: the New York art world, and California women’s prisons.
A lousy script and a flaccid lead performance hamper this post-apocalyptic adventure/comedy.
Tracing the rise of the remarkable Rock Against Racism movement, this fine documentary recounts a fascinating story from the U.K. in the late 1970s.
This timeless, beautifully made film, adapted from a Jack London novel, prioritizes its Big Ideas over its romantic story line.
