No one needs to the “Ghost in the Noonday Sun,” a terrible slapstick pirate comedy from 1973, but anyone interested in moviemaking should certainly see this doc about how the star sank the film.
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No one needs to the “Ghost in the Noonday Sun,” a terrible slapstick pirate comedy from 1973, but anyone interested in moviemaking should certainly see this doc about how the star sank the film.
There’s nothing original about Military Wives, but its predictability is part of its charm.
The second film to tell this amazing and true East German escape story is consistently entertaining and adheres largely to the facts.
Two equally uninteresting story lines, one in a girls’ school, one in Haiti 60 years ago, eventually collide in an incoherent finale.
Johnny Depp ably portrays photographer W. Eugene Smith on his most famous assignment.
Jesse Eisenberg is future world-famous mime Marcel Marceau, who fought in the French Resistance, in this compelling World War II drama.
Anne Dagg has been labeled the “Jane Goodall of giraffe research,” but her story is in many ways the more remarkable one.
In the spirit of Pavarotti comes another slick, entertaining, informative, music-filled documentary about an act that shaped the history of popular music.
Despicable Russian oligarch Mikhail Khodorkovsky takes on a contradictory heroic cast in his two-decade fight with Vladimir Putin.
The film traces the months leading up to the 1995 assassination of Israeli prime minister Yitzhak Rabin, but the topic of “incitement” by political rhetoric remains vital today.
From “A Sister” to “Brotherhood” and a glimpse through “The Neighbors’ Window,” this shorts program at the Grail Moviehouse has a lot to recommend it.
The Asheville Movie Guys slog their way through Terrence Malick’s fact-based endurance test.
The star-studded dramatization of Roger Ailes’ downfall merely leaves a shallow mark.
The fact-based legal drama is unfortunately timely, but potentially unifying.
Todd Haynes’ heavy-handed environmental drama does wrong by its inspirational real-life hero.
The reunion of Felicity Jones and Eddie Redmayne amidst decent atmospheric spectacle elevates this fact-based adventure.
Tom Hanks’ Fred Rogers erodes viewer cynicism in this very special fact-based film.
James Mangold’s fact-based auto-racing film is old school Hollywood entertainment at its finest.
Adam Driver is mesmerizing in Scott Z. Burns’ fact-based political procedural.
Dated special effects, an overly reverent script, and one of the dullest, whitest casts ever assembled pay poor homage to WWII heroes.