Tom Hanks returns to nautical adventure with nearly as impressive results.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Tom Hanks returns to nautical adventure with nearly as impressive results.
Kelly Reichardt returns to form with this moving, poetic period piece.
Vivian Liberto, aka Johnny Cash’s first wife and mother of their four daughters, finally gets her due in this serviceable documentary.
Hirokazu Kore-eda’s English debut isn’t on the level of his recent Japanese work, but isn’t far off.
Dawn Porter’s bio-doc on the influential leader cements his legacy — and may help preserve it.
Exceedingly better than its misleading marketing campaign would lead us to believe, thanks to a zippy script that harnesses Dave Bautista's deadpan charms and a stellar child performance by Chloe Coleman.
Joseph Gordon-Levitt returns to feature films with this compact, heart-pounding thriller.
The brilliant documentary on Blind Melon lead singer Shannon Hoon should at last put him in the same breath as other ’90s rock greats.
A gripping and unpredictable German drama, set in the world of classical music.
A compact, star-studded, and informative biography of America’s most beloved jazz singer.
A brilliant payoff can’t quite make up for an uneven buildup in Jon Stewart’s political satire.
Kevin Bacon can’t save his toothless thriller from the formerly reliable David Koepp..
A steady pace, smart writing, and strong performances power this compelling drama.
Channing Godfrey Peoples’ feature directorial debut packs the potential for tremendous national unity on opening weekend.
This three-part film traces the progress of LGBTQ rights across more than 30 years through the turmoil in the lives of one French family.
Bill Nighy is his usual brilliant self in this amusing and moving modern parable about family dynamics and how to win at Scrabble.
Spike Lee joins the sadly short list of great filmmakers who’ve made great films about the Vietnam War.
Even with a talented cast and appealing premise, this literary biopic boils down to two hours of Elisabeth Moss brooding and saying random shit.
