Ari Aster’s masterful follow-up to Hereditary wisely favors dread over cheap horror scares.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Ari Aster’s masterful follow-up to Hereditary wisely favors dread over cheap horror scares.
The third film in the lousy creepy doll series is overrun with human ineptitude and all but absent of scares.
In Danny Boyle’s delightful Boomer fantasy, a struggling musician awakens to a world in which The Beatles don’t exist — and does his best to fill that absence.
Though Dylan in the Canyon is a more accurate title, this tribute to Laurel Canyon’s musical legacy is frequently magical.
Polygamy is a heavy lift for a light comedy, but the lead performers’ likability keeps the movie afloat.
Following the twists and turns of this female assassin flick is moderately interesting if you don’t think too much about the absurdity of the body count.
This is the Rocketman for Tosca fans, a celebratory recounting of a life of countless unique and momentous episodes and unforgettable music.
The latest installment in the Pixar franchise is a richly entertaining experience that addresses some big doctrinal questions about toydom.
The near complete overhaul of the killer doll series works better as a concept than an actual film.
F. Gary Gray’s clustercuss of a sequel is one of the year’s worst films.
Big laughs help compensate for unimaginative plotting in this entertaining sequel.
Just a few weeks after the pleasures of Long Shot comes another smart adult comedy, showcasing Emma Thompson and Mindy Kaling.
Jim Jarmusch’s delightfully deadpan zombie movie makes excellent use of a talented ensemble cast.
Kenneth Branagh, Judi Dench, and Ian McKellan join forces in Branagh’s appealing William Shakespeare biopic.
Like super-powered mutants, the Asheville Movie Guys land on opposite sides and face off over this maybe-final installment in the X-Men series.
Another fine performance from Blythe Danner buoys this unchallenging movie about a dedicated survivalist (John Lithgow) looking for companionship.
Dreadfully slow and plain old dreadful, the ‘80-set British drama’s unlikable characters and simple story are barely worthy of a subplot in a larger, better film.
Squandering a rare lead performance by Octavia Spencer, Tate Taylor’s new sorta-thriller suffers from an identity crisis.
It’s like Modern Family goes to Australia — beloved characters on amusing new adventures with only tangential connection to their original charms.
This edgy and honest musical based on the songs and life of Elton John features an excellent performance by Taron Egerton in the lead role.
