This is the Rocketman for Tosca fans, a celebratory recounting of a life of countless unique and momentous episodes and unforgettable music.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
This is the Rocketman for Tosca fans, a celebratory recounting of a life of countless unique and momentous episodes and unforgettable music.
The latest installment in the Pixar franchise is a richly entertaining experience that addresses some big doctrinal questions about toydom.
The near complete overhaul of the killer doll series works better as a concept than an actual film.
F. Gary Gray’s clustercuss of a sequel is one of the year’s worst films.
Big laughs help compensate for unimaginative plotting in this entertaining sequel.
Just a few weeks after the pleasures of Long Shot comes another smart adult comedy, showcasing Emma Thompson and Mindy Kaling.
Jim Jarmusch’s delightfully deadpan zombie movie makes excellent use of a talented ensemble cast.
Kenneth Branagh, Judi Dench, and Ian McKellan join forces in Branagh’s appealing William Shakespeare biopic.
Like super-powered mutants, the Asheville Movie Guys land on opposite sides and face off over this maybe-final installment in the X-Men series.
Another fine performance from Blythe Danner buoys this unchallenging movie about a dedicated survivalist (John Lithgow) looking for companionship.
Dreadfully slow and plain old dreadful, the ‘80-set British drama’s unlikable characters and simple story are barely worthy of a subplot in a larger, better film.
Squandering a rare lead performance by Octavia Spencer, Tate Taylor’s new sorta-thriller suffers from an identity crisis.
It’s like Modern Family goes to Australia — beloved characters on amusing new adventures with only tangential connection to their original charms.
This edgy and honest musical based on the songs and life of Elton John features an excellent performance by Taron Egerton in the lead role.
Welcome to 130 minutes of ear-splitting boredom and feeling sad for really good actors in a really bad movie.
The remarkable real-life story of Soviet ballet star Rudolf Nureyev’s visit to Paris in 1961 is compellingly recreated by actor-director Ralph Fiennes.
Unapologetically frank and real, Olivia Wilde’s directorial debut is a comedic joyride.
Olivier Assayas’ returns to meditations on art, commerce, and flawed celebrities with a look at the Parisian publishing world.
The Asheville Movie Guys crash-land in Kansas with an evil Superman. What could possibly go wrong?
