Halldóra Geirharðsdóttir excels in dual roles in this quirky Icelandic eco-thriller.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Halldóra Geirharðsdóttir excels in dual roles in this quirky Icelandic eco-thriller.
The combination of Hal Linden and creative animation elevates this movie above its predicable screenplay.
Claus Räfle’s drama blurs narrative and documentary lines to creatively tell a lesser-known aspect of the Holocaust.
The Asheville Movie Guys have a spoilerific discussion of Jordan Peele’s new horror head trip.
Sebastián Lelio’s faithful English-language remake of his 2013 breakthrough Gloria improves on the original.
The tension quickly dials up and remains high to the end in this latest family-focused horror film from Jordan Peele (Get Out).
Bruno Ganz plays Sigmund Freud in the opener for the 2019 Asheville Jewish Film Festival.
The director-less animated adventure is progressive, entertaining, and surprisingly dark.
Young people with cystic fibrosis deserve a better movie love story. And a better hospital.
Lurking within the mess of Rupert Wyatt’s follow-up to The Gambler is an exciting sci-fi short film.
Gaspar Noé’s latest risk-taker is a wonder to behold, though a bit patience-testing and possibly pointless.
Inheriting the teen sleuth reins from Emma Roberts, Sophia Lillis (It; “Sharp Objects”) continues to be a beacon in mediocre projects.
Jonas Åkerlund’s Mayhem biopic is equal parts tongue-in-cheek and knives-through-cheeks.
Penélope Cruz and Javier Bardem simmer in Iranian master Asghar Farhadi's surprisingly straightforward mystery that nonetheless packs his textbook emotional wallops.
In the Old West, a 14-year-old on the run with his sister learns life lessons from both Billy the Kid and Pat Garrett.
The Asheville Movie Guys flash back to the ‘90s to discuss Brie Larson’s lead MCU turn.
One man’s ambition sets up a fascinating clash between his indigenous Wayuu clan’s traditional values and encroaching ideals propelled by greed and violence.
The new documentary may best be appreciated as an appendix to last year’s First Man, a narrative film that tells you more about the people involved and covers the back story that’s missing here.
The scattered successes by Tyler Perry & Co. feel haphazard and the barrage of attempts at humor and the high percentage of failure is borderline exhausting.
Isabelle Huppert torments Chloë Grace Moretz in Neil Jordan’s surprisingly campy thriller.
