In the Old West, a 14-year-old on the run with his sister learns life lessons from both Billy the Kid and Pat Garrett.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
In the Old West, a 14-year-old on the run with his sister learns life lessons from both Billy the Kid and Pat Garrett.
The Asheville Movie Guys flash back to the ‘90s to discuss Brie Larson’s lead MCU turn.
One man’s ambition sets up a fascinating clash between his indigenous Wayuu clan’s traditional values and encroaching ideals propelled by greed and violence.
The new documentary may best be appreciated as an appendix to last year’s First Man, a narrative film that tells you more about the people involved and covers the back story that’s missing here.
The scattered successes by Tyler Perry & Co. feel haphazard and the barrage of attempts at humor and the high percentage of failure is borderline exhausting.
Isabelle Huppert torments Chloë Grace Moretz in Neil Jordan’s surprisingly campy thriller.
Just in time for Mardi Gras, this music doc on the Preservation Hall Jazz Band joyously celebrates the spirit of New Orleans and its cultural cousins across the Gulf of Mexico.
Stephen Merchant’s fact-based wrestling comedy is thoroughly entertaining and disarmingly mature.
Mads Mikkelsen utilizes his powerful presence in Joe Penna’s engrossing one-man survival thriller.
Executive produced by Tim Tebow, the football drama refreshingly taps its faith-based button before inevitably leaning on it.
All the new releases I saw in 2018, ranked from worst to best. Part Five covers films 1-50.
All the new releases I saw in 2018, ranked from worst to best. Part Four covers films 51-100.
All the new releases I saw in 2018, ranked from worst to best. Part Three covers films 101-150.
All the new releases I saw in 2018, ranked from worst to best. Part Two covers films 151-200.
The surprise double Oscar nominee is a rewarding but trying three-hour experience.
An all-time great child performance and sustained hope over a lengthy runtime makes Nadine Labaki’s latest a worthy Oscar nominee.
All the new releases I saw in 2018, ranked from worst to best. Part One covers films 201-232.
Rebel Wilson proves generally ready for leading lady status in this skewering of rom-com conventions.
The sequel ably changes its genre gears with only slightly diminished returns.
