Isabelle Huppert torments Chloë Grace Moretz in Neil Jordan’s surprisingly campy thriller.
Your guide to Asheville's vibrant and diverse movie offerings.
Isabelle Huppert torments Chloë Grace Moretz in Neil Jordan’s surprisingly campy thriller.
Just in time for Mardi Gras, this music doc on the Preservation Hall Jazz Band joyously celebrates the spirit of New Orleans and its cultural cousins across the Gulf of Mexico.
Stephen Merchant’s fact-based wrestling comedy is thoroughly entertaining and disarmingly mature.
Mads Mikkelsen utilizes his powerful presence in Joe Penna’s engrossing one-man survival thriller.
Executive produced by Tim Tebow, the football drama refreshingly taps its faith-based button before inevitably leaning on it.
All the new releases I saw in 2018, ranked from worst to best. Part Five covers films 1-50.
All the new releases I saw in 2018, ranked from worst to best. Part Four covers films 51-100.
All the new releases I saw in 2018, ranked from worst to best. Part Three covers films 101-150.
All the new releases I saw in 2018, ranked from worst to best. Part Two covers films 151-200.
The surprise double Oscar nominee is a rewarding but trying three-hour experience.
An all-time great child performance and sustained hope over a lengthy runtime makes Nadine Labaki’s latest a worthy Oscar nominee.
All the new releases I saw in 2018, ranked from worst to best. Part One covers films 201-232.
Rebel Wilson proves generally ready for leading lady status in this skewering of rom-com conventions.
The sequel ably changes its genre gears with only slightly diminished returns.
This year’s finalists include several worthy films and a couple of head-scratchers.
This post-apocalyptic sci-fi action film is mostly a great excuse for a series of thoroughly entertaining, CG-heavy action sequences.
RaMell Ross’ Oscar-nominated documentary both warrants enthusiasm for its directorial creativity, yet frequently allows this same unconventionality to bog down the proceedings.
The latest bad seed horror film starts out promising, then devolves into an exercise in frustration.