Average moviegoer representative “Plain” Jane Case offers her thoughts on the new Amy Schumer and Melissa McCarthy comedies.
Your guide to Asheville's vibrant and diverse movie offerings.
Average moviegoer representative “Plain” Jane Case offers her thoughts on the new Amy Schumer and Melissa McCarthy comedies.
Diablo Cody, Charlize Theron and Jason Reitman reunite to fabulous ends in this witty, wise ode to motherhood.
The Asheville Movie Guys saddle up and take a lap with Andrew Haigh’s unusual horse drama.
The free-flowing family drama has middling value beyond strong turns by Andie MacDowell and Chris O’Dowd.
The Asheville Movie Guys combine their super powers and senses of humor to battle the MCU’s ensemble extravaganza.
Bolstered by a strong lead performance by Lola Kirke, Aaron Katz’s film may be the best L.A.-set neo-noir since Drive.
Barely over an hour, William Friedkin’s exorcism documentary doesn’t merit that brief runtime.
Stanley Tucci’s Alberto Giacometti biopic is an overly insular work offering few insights into the artist and his work.
A look back at last weekend's new releases, which may prove to be the overall worst batch of 2018.
Imelda Staunton, Timothy Spall and a game cast deliver high-quality British geezer bait in this comedic, respectful take on aging.
Helen Mirren and Donald Sutherland subvert road trip standards in this generally charming and emotionally rich little movie.
The Asheville Movie Guys set up camp on the Japanese archipelago and delve into Wes Anderson's latest stop-motion animated feature.
The Asheville Movie Guys switch to sign language and discuss Emily Blunt and John Krasinski in the latter's new thriller.
Rachel Israel's film about and starring people with autism is a commendable undertaking that nonetheless struggles to justify its existence.
The Asheville Movie Guys select their avatars and enter the OASIS to geek out with Steven Spielberg's new CG-heavy adventure.
The Asheville Movie Guys take to the halls of a shady mental institution with Claire Foy in Steven Soderbergh's iPhone-shot thriller.
The Asheville Movie Guys check in on the cutthroat dealings in 1953 Moscow and like what they see.
Sally Potter's brief B&W experiment is a decent excuse to watch a talented ensemble display its skills.
Greg Berlanti's groundbreaking mainstream gay teen comedy is a well-made film with good intentions.
The Asheville Movie Guys regret tagging along with a miscast Alicia Vikander on her video game adventure and recommend some recent releases to see instead.