Diane Kruger justifies her Cannes Best Actress win in a performance that takes her across a trio of genres.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Diane Kruger justifies her Cannes Best Actress win in a performance that takes her across a trio of genres.
The curiosity of Clint Eastwood using real-life heroes to reenact their brave exploits makes for a generally compelling view, but is let down by a script that asks too much from its amateur performers.
The Asheville Movie Guys take one last spin with America's sweethearts, Ana and Christian.
An elementary school, 1955 Mississippi, a psychiatrist's office, a deaf child's house and Kenya set the scenes for this year's generally strong nominees.
Kobe Bryant, amphibians, a school playground, luggage and Roald Dahl compose this year's stellar nominees.
All the new releases I saw in 2017, ranked from worst to best. Part Five covers films 1-39.
All the new releases I saw in 2017, ranked from worst to best. Part Four covers films 40-79.
All the new releases I saw in 2017, ranked from worst to best. Part Three covers films 80-119.
All the new releases I saw in 2017, ranked from worst to best. Part Two covers films 120-159.
All the new releases I saw in 2017, ranked from worst to best. Part One covers films 160-208.
Paul Thomas Anderson and Daniel Day-Lewis reunite a decade after There Will Be Blood and, with help from two immensely talented actresses, achieve similar success.
The Asheville Movie Guys crank up the action for a mid/late January double feature.
Where do the Asheville Movie Guys stand on the critically acclaimed coming-of-age film?
Robin Campillo's French AIDS drama plays out in such an authentic fashion that it frequently resembles a documentary.
With the clock ticking on the Obama presidency, Greg Barker documents its key players' victories and shortcomings.
Packed with great performances, Aaron Sorkin's directorial debut appropriately matches the energy of his writing.
The Asheville Movie Guys escape the heaviness of Oscar season with a double dose of froth and ponder whether 2018 is The Year of the Train.
Steven Spielberg's star-studded take on the Washington Post's handling of the Pentagon Papers is one of the year's best, most entertaining and most important films.
Seemingly improved by its last-minute recasting, the dramatization of the John Paul Getty III kidnapping is little more than a classic shaggy Ridley Scott film.
