The Asheville Movie Guys escape the heaviness of Oscar season with a double dose of froth and ponder whether 2018 is The Year of the Train.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
The Asheville Movie Guys escape the heaviness of Oscar season with a double dose of froth and ponder whether 2018 is The Year of the Train.
Steven Spielberg's star-studded take on the Washington Post's handling of the Pentagon Papers is one of the year's best, most entertaining and most important films.
Seemingly improved by its last-minute recasting, the dramatization of the John Paul Getty III kidnapping is little more than a classic shaggy Ridley Scott film.
The Insidious series sees some regression in its fourth installment, but retains the title of horror greatest set of connected films.
Joe Wright steps out of the way to let Gary Oldman deliver a towering performance as Winston Churchill.
Though slightly less fun than its predecessors, round three with the Barden Bellas nonetheless keeps the entertainment quotient high.
Despite a talented cast and the La La Land songwriting team, this P.T. Barnum musical is a dud.
Alexander Payne's satirical comedy offers visual gags galore alongside insightful commentary on modern life and where humanity might be going.
Despite its quizzical existence, the fun, goofy comedic adventure is basically a PG-13 analog for the R-rated Jump Street movies.
May the Force be with the Asheville Movie Guys as they fire up their lightsabers and discuss Rian Johnson's jambalaya of cute gags, self-doubting heroes and disconnected action sequences.
The frequently unpleasant, '50s-set drama is the second consecutive Woody Allen feature to raise the question of whether he has quality stories left to tell.
Oh hi, Movie Guys! What do you think of James Franco's take on the making of The Room?
Set inside a nunnery at the advent of Vatican II reforms, Margaret Betts’ coming-of-age drama flirts with greatness before ultimately succumbing to mediocrity.
Norwegian filmmaker Joachim Trier makes an entertaining detour with this psychological thriller of a college student with unusual powers.
The sequel not only bests its predecessor in every conceivable way but ranks among the year’s top comedies, seasonal or otherwise.
The behind-the-scenes look at the creation of A Christmas Carol is the rare film about a writer that manages to make the creative process cinematically entertaining.
Denzel Washington and Dan Gilroy (Nightcrawler) join forces to terrific ends in this character-driven legal gem.
Ruben Östlund pulls a near 180 from his miserable Force Majeure with this blistering satire of the art world and its inhabitants.
