Steve James' latest non-fiction winner chronicles the only U.S. bank to face criminal charges as a result of the 2008 economic collapse.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Steve James' latest non-fiction winner chronicles the only U.S. bank to face criminal charges as a result of the 2008 economic collapse.
Tiffany Haddish steals every scene possible in this gut-busting comedy that excels when it doesn't loop in sap and drama.
David Lowery's meditation on loss and human connection to people, places, and things is often dopey in the moment, but has surprising lasting power.
Christopher Nolan's sharp first foray into WWII is compact in runtime but broad in scope.
Margaret Byrne's objective, six-year study of three underprivileged black youths in coastal North Carolina unearths universal truths.
Sally Hawkins and Ethan Hawke spread their dramatic wings in this generally unpleasant biopic of Nova Scotia outsider artist Maud Lewis.
The Asheville Movie Guys debate the merits of Luc Besson's return to zippy sci-fi.
Melanie Lynskey and Elijah Wood invite you to count down the year's best films to date.
The third in the rebooted Apes series carries over many admirable qualities of its predecessors, though the absence of those films' screenwriters is sadly evident.
Jeff Baena’s star-studded riff on The Decameron is only a few big laughs removed from being a significant waste of time.
The Asheville Movie Guys fall for this fact-based, culture-clash dramedy, but more for the parents than the love interests.
Funny folks from the Parks & Rec., Office and Veep extended families collide to hilarious ends in this winner from the Neighbors writing team.
An indie darling cast led by Mr. Robot's Rami Malek are largely squandered in this would-be mind$&%*.
Thanks to a concerted effort by a talented cast and crew, Sam Raimi’s Spider-Man at last has a worthy saga successor.
Christopher Plummer and Janet McTeer inspire the best work yet from Jai Courtney and Lily James in this WWII drama.
The New Yorker discusses making films centered on older characters as well as his recent side projects and experiences at his North Carolina alma mater.
Edgar Wright's talents are on full display in this entertaining and well-balanced mesh of action, comedy and music.
The Asheville Movie Guys find little to like about Sofia Coppola's Civil War chamber drama beyond its visuals and all-star cast.
Ken Loach's emotionally devastating Palme d'Or winner has its finger on the pulse of average citizens' plight like few modern films.
Ana Lily Amirpour's dystopian drama is as visually inventive and narratively deficient as her previous film, A Girl Walks Home Alone At Night.
