Christopher Plummer and Janet McTeer inspire the best work yet from Jai Courtney and Lily James in this WWII drama.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Christopher Plummer and Janet McTeer inspire the best work yet from Jai Courtney and Lily James in this WWII drama.
The New Yorker discusses making films centered on older characters as well as his recent side projects and experiences at his North Carolina alma mater.
Edgar Wright's talents are on full display in this entertaining and well-balanced mesh of action, comedy and music.
The Asheville Movie Guys find little to like about Sofia Coppola's Civil War chamber drama beyond its visuals and all-star cast.
Ken Loach's emotionally devastating Palme d'Or winner has its finger on the pulse of average citizens' plight like few modern films.
Ana Lily Amirpour's dystopian drama is as visually inventive and narratively deficient as her previous film, A Girl Walks Home Alone At Night.
Salma Hayek and especially John Lithgow are terrific in this otherwise undeveloped and redundant critique of the One Percent.
The concept of Cate Blanchett playing 13 characters lives up to its potential in Julian Rosefeldt's cinematically rich collection of monologues on art.
Three gifted comediennes — plus Scarlett Johansson and Zoë Kravitz — form a hilarious team in this tale of a bachelorette party gone wrong.
Colin Trevorrow's return to indie filmmaking between Jurassic World and Star Wars installments is a mixed bag.
Benny Boom's 2Pac biopic is an almost pointless exercise in imitation and reenactment.
Eleanor Coppola's gorgeous road trip movie is rich in sightseeing and food photography yet poor in meaningful content.
Universal's Dark Universe franchise non-starter is a lesson in ineptitude and Tom Cruise’s sadly fading stardom.
Vanessa Gould's charming documentary delves into the daily work of the New York Times' obituary desk.
Rachel Weisz and Sam Claflin shine in Roger Michell's visually and emotionally rich adaptation of the Daphne Du Maurier thriller.
Trey Edward Shults' thriller showcases his gifts as a technician and shortcomings as a writer.
Suspect casting and bad accent work undermine this look at the British PM's mindset leading up to D-Day.
Gal Gadot is a terrific Diana, but her surrounding elements feel lifted from different films.
Debra Winger and Tracy Letts lead a mostly phenomenal cast in this painfully relatable (in a good way) look at midlife romance.
