The Asheville Movie Guys find little to like about Sofia Coppola's Civil War chamber drama beyond its visuals and all-star cast.
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All in Drama
The Asheville Movie Guys find little to like about Sofia Coppola's Civil War chamber drama beyond its visuals and all-star cast.
Ken Loach's emotionally devastating Palme d'Or winner has its finger on the pulse of average citizens' plight like few modern films.
Ana Lily Amirpour's dystopian drama is as visually inventive and narratively deficient as her previous film, A Girl Walks Home Alone At Night.
Salma Hayek and especially John Lithgow are terrific in this otherwise undeveloped and redundant critique of the One Percent.
The concept of Cate Blanchett playing 13 characters lives up to its potential in Julian Rosefeldt's cinematically rich collection of monologues on art.
Colin Trevorrow's return to indie filmmaking between Jurassic World and Star Wars installments is a mixed bag.
Eleanor Coppola's gorgeous road trip movie is rich in sightseeing and food photography yet poor in meaningful content.
Rachel Weisz and Sam Claflin shine in Roger Michell's visually and emotionally rich adaptation of the Daphne Du Maurier thriller.
Trey Edward Shults' thriller showcases his gifts as a technician and shortcomings as a writer.
Suspect casting and bad accent work undermine this look at the British PM's mindset leading up to D-Day.
Debra Winger and Tracy Letts lead a mostly phenomenal cast in this painfully relatable (in a good way) look at midlife romance.
Terence Davies' Emily Dickinson biopic in rich in sharp imagery, strong performances and drama.
Joseph Cedar follows up his brilliant Footnote with another stunning dark comedy.
A terrific British cast lives up to its potential in this old-fashioned delight about filmmaking in the 1940s.
Steve Coogan leads a stellar core foursome in Oren Moverman's latest tense, well-made drama.
Emma Watson, Tom Hanks and formerly flawless director James Ponsoldt can't save this lame quasi-critique of modern technology.
Ricardo Darín and Javier Cámara are superb as old friends enjoying one last visit together in this Goya-winning drama.
Anne Hathaway and a skyscraper-tall Korean monster are oddly connected in this quirky yet unexpectedly dark little film.
François Ozon’s riff on Ernst Lubitsch’s Broken Lullaby is the kind of emotionally-rich and visually confident work rarely seen in modern movies.
A strong cast and epic scope can't overcome poor storytelling in Terry George's take on the Armenian genocide.