Terence Davies' Emily Dickinson biopic in rich in sharp imagery, strong performances and drama.
Your guide to Asheville's vibrant and diverse movie offerings.
Terence Davies' Emily Dickinson biopic in rich in sharp imagery, strong performances and drama.
Joseph Cedar follows up his brilliant Footnote with another stunning dark comedy.
Aaron Taylor-Johnson and John Cena try to survive against an Iraqi sharpshooter in Doug Liman's tense three-man war thriller.
Dual Michael Fassbenders and a handful of thrilling action sequences elevate Ridley Scott's otherwise so-so detour in the Alien series.
Inconsistent production value and a lack of structure only take so much away from this fun, energetic look at swing dancing.
Writer and urban activist Jane Jacobs' efforts to preserve successful cities take center stage in this enlightening documentary from Matt Tyrnauer.
A gifted supporting cast bails out a tolerable Amy Schumer in this entertaining mother-daughter comedy.
A terrific British cast lives up to its potential in this old-fashioned delight about filmmaking in the 1940s.
The documentary about trumpeter Lee Morgan paints a tragic portrait of a talented, troubled soul.
Star-Lord, Gamora, Drax and Rocket are joined by Baby Groot, former adversaries and new faces in James Gunn's rollicking sequel to the 2014 surprise hit.
Steve Coogan leads a stellar core foursome in Oren Moverman's latest tense, well-made drama.
Emma Watson, Tom Hanks and formerly flawless director James Ponsoldt can't save this lame quasi-critique of modern technology.
Ricardo Darín and Javier Cámara are superb as old friends enjoying one last visit together in this Goya-winning drama.
Anne Hathaway and a skyscraper-tall Korean monster are oddly connected in this quirky yet unexpectedly dark little film.
Michael O’Shea’s low-budget horror film offers a fresh take on the vampire subgenre.
Disneynature's new gorgeously-shot Earth Day documentary follows three animal families as they seek to overcome various obstacles in the wild.
In his glorious follow-up to High-Rise, Ben Wheatley stays in the '70s but drops the social satire in favor of pure action/comedy entertainment.
François Ozon’s riff on Ernst Lubitsch’s Broken Lullaby is the kind of emotionally-rich and visually confident work rarely seen in modern movies.
A strong cast and epic scope can't overcome poor storytelling in Terry George's take on the Armenian genocide.