This series prequel features similar traits that plagued and uplifted its two predecessors.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Horror
This series prequel features similar traits that plagued and uplifted its two predecessors.
Joshua John Miller’s uneven film is essentially the “Scream” of exorcism movies.
Much like her talented father 25 years ago, writer/director Ishana Night Shyamalan is a talent to watch.
Writer/director Jane Schoenbrun seems more interested in creating a relatable, nostalgia-rich world than filling it with much in the way of substance.
Quick takes on four recent mainstream titles.
This satanic panic thriller takes forever to find its groove and frequently cheats on its found-footage premise.
Commendable atmosphere and creature design can’t save a horrendous screenplay.
The Australian export’s creative twists on the spiritual world are undermined by sluggish storytelling.
Patrick Wilson’s directorial debut is a bizarre vanity project that taints the horror series’ formerly good name.
The jokes keep coming in this horror/comedy that’s not nearly the genre-skewering event that was “promised.”
Lee Cronin’s blood-coated, thoroughly entertaining sequel honors Sam Raimi and Bruce Campbell.
James and Edwin discuss Ari Aster’s sprawling new film.
Nicolas Cage’s Dracula lives up to its zany potential in this unapologetically bloody and violent action/comedy.
Brandon Cronenberg’s latest mindf*#& is visually creative but narratively messy.
David Gordon Green and Danny McBride finally fulfill their potential as horror filmmakers.
This reimagining of the Clive Barker classic takes its time delivering scares, which are generally worth the wait.
