Ari Aster’s masterful follow-up to Hereditary wisely favors dread over cheap horror scares.
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All in Horror
Ari Aster’s masterful follow-up to Hereditary wisely favors dread over cheap horror scares.
The third film in the lousy creepy doll series is overrun with human ineptitude and all but absent of scares.
The near complete overhaul of the killer doll series works better as a concept than an actual film.
Jim Jarmusch’s delightfully deadpan zombie movie makes excellent use of a talented ensemble cast.
The prospect of watching Lindsay Weir get chased by a ghost for 90 minutes isn’t nearly as exciting as it sounds.
Prepare yourself for a freaky, atmospheric story with plenty of quality jump scares.
The international horror anthology is a decidedly mixed bag with only a few worthwhile entries.
The Asheville Movie Guys have a spoilerific discussion of Jordan Peele’s new horror head trip.
The tension quickly dials up and remains high to the end in this latest family-focused horror film from Jordan Peele (Get Out).
Gaspar Noé’s latest risk-taker is a wonder to behold, though a bit patience-testing and possibly pointless.
Jonas Åkerlund’s Mayhem biopic is equal parts tongue-in-cheek and knives-through-cheeks.
The latest bad seed horror film starts out promising, then devolves into an exercise in frustration.
Will the confrontation between a now-weaponized Laurie Strode and the still unkillable Michael Myers provide a Home Alone of horror?
Eli Roth pivots from gory to Gorey (of the Edward variety) and fares nearly as poorly.
The minds behind the latest Conjuring spin-off have no clue what to do with a promising horror set-up.
The Asheville Movie Guys discuss whether Ari Aster’s acclaimed horror debut is the real deal or another false genre prophet.
A look back at last weekend's new releases, which may prove to be the overall worst batch of 2018.
The Asheville Movie Guys switch to sign language and discuss Emily Blunt and John Krasinski in the latter's new thriller.
The Asheville Movie Guys take to the halls of a shady mental institution with Claire Foy in Steven Soderbergh's iPhone-shot thriller.
The Insidious series sees some regression in its fourth installment, but retains the title of horror greatest set of connected films.