Guillermo del Toro's genre mishmash is intelligent escapism at its finest.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
The frequently unpleasant, '50s-set drama is the second consecutive Woody Allen feature to raise the question of whether he has quality stories left to tell.
Set inside a nunnery at the advent of Vatican II reforms, Margaret Betts’ coming-of-age drama flirts with greatness before ultimately succumbing to mediocrity.
The behind-the-scenes look at the creation of A Christmas Carol is the rare film about a writer that manages to make the creative process cinematically entertaining.
Denzel Washington and Dan Gilroy (Nightcrawler) join forces to terrific ends in this character-driven legal gem.
Ruben Östlund pulls a near 180 from his miserable Force Majeure with this blistering satire of the art world and its inhabitants.
Greta Gerwig's solo directorial debut is entertaining and admirable on many levels, but remains on the brink of greatness.
Todd Haynes' latest experiment in gorgeous period filmmaking challenges viewers with its portrayal of deafness over dual storylines.
Sean Baker's follow-up to Tangerine gets a major boost from Willem Dafoe, but is otherwise another endurance test with unlikeable and irredeemable characters.
The Asheville Movie Guys gear up and trek into the forest to battle wild blazes alongside Josh Brolin, Miles Teller and Taylor Kitsch.
Judi Dench's latest cinematic brush with Indian culture — as well as her second turn as Queen Victoria — is a warm-hearted delight.
Humor and exciting tennis rescue this mediocre take on the 1973 Billie Jean King/Bobby Riggs tennis match from biopic failure.
J.D. Salinger fans will get some glee out of this flawed but well-intentioned portrait of the artist as a young writer.
Mike White takes a significant step up from Beatriz at Dinner with this well-rounded midlife crisis tale starring Ben Stiller.
Though pleasant and good-looking, the latest from Bend It Like Beckham director Gurinder Chadha is less a narrative film than an elaborate history lesson.
The first of the inevitable “Children of Moonlight” films is barely a shadow of its Best Picture winning forebear in every conceivable way.
As the titular hard luck Jewish widower, amateur actor Menashe Lustig delivers the kind of magnetic, natural performance rarely seen in cinema.
Architect Steve Arnaudin discusses Kogonada's picturesque drama and its use of the titular Indiana town's rich modernist designs.
The Asheville Movie Guys step in the cypher and battle over the hip-hop coming of age dramedy.
