The film is based on a terrific Rolling Stone article. Seek out that story, but skip the clumsily fictionalized movie.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Crime
The film is based on a terrific Rolling Stone article. Seek out that story, but skip the clumsily fictionalized movie.
Denzel Washington and Rami Malek investigate Jared Leto in this entertaining thriller that nevertheless falls apart in its final stretch.
This Jamie Fox action flick is like watching someone else play a videogame — you might follow the action, but you’re not involved.
A faithful David Ayer supporter and one of the writer/director’s biggest non-believers debate the filmmaker’s latest LA crime saga.
Tsai Chin is terrific as a crabby senior citizen in this pleasantly minor crime comedy.
Tom Hardy embarrasses himself on a regular basis in Josh Trank’s ridiculous look at Al Capone’s final days.
A gripping crime caper in which the nature of the caper remains ever elusive, “The Whistlers” also reveals a deep humanity.
Rian Johnson’s mediocre whodunit was doubtlessly more fun to make than it is to sit through.
Star Chadwick Boseman and the film’s visual style make up for some of the screenplay’s implausibilities.
This movie about a con man is less about fooling the audience than it is about belief in a world where good and evil are clearly delineated.
This fact-based French drama is a landmark achievement in humanizing the impact of sexual abuse by Catholic priests and just as gripping as Spotlight.
Every aspect of Edward Norton’s ‘50s-set noir is good enough, but mysteriously never aspires to greatness.
As a crime action drama, it isn’t bad, but it seems to be a movie made without an audience.
Is Joaquin Phoenix’s take on the DC villain terrific or terrible? The Asheville Movie Guys are not joking around in this heated debate.
Stuber’s lead actors are talented and appealing, but they’re trapped in a poorly thought out, sloppily executed movie that does them no favors.
In this bleak drama, Tessa Thompson and Lily James deliver powerful performances despite amateurish, anonymous filmmaking.
The Asheville Movie Guys have professional differences when it comes to Steve McQueen’s female-led heist film.
