Guy Ritchie returns to form — with a major assist from Colin Farrell.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Comedy
Fun, funny, and visually rich, the latest Dr. Dolittle is nowhere near the disaster many critics claim it to be.
Tiffany Haddish and Rose Byrne earn big laughs despite a flimsy, predictable story.
With a somnolent Will Smith voicing an especially boring bird, and a tired supervillain plot line, there’s not much here to recommend.
The entertaining sequel doubles down on its predecessor’s funniest elements.
Shia LaBeouf exorcises his demons by playing his father in this extraordinary cinematic experiment.
Scarlett Johansson, Adam Driver and writer/director Noah Baumbach are all in top form in this divorce dramedy.
Rian Johnson’s mediocre whodunit was doubtlessly more fun to make than it is to sit through.
Elizabeth Banks’ clunky reboot struggles to justify its existence.
Go into Bong Joon-ho’s rightly-praised new film blind as possible and reap its plentiful rewards.
Romance blended with recovery drama, the movie is almost guaranteed to defy whatever expectations you have of it going it.
Pre-tweens will enjoy the lame jokes employing poop, farts, mud, pratfalls, and the so on, but parents — and filmmakers — can do better.
Kristina Guckenberger (Mountain Xpress) makes her Asheville Movies debut to discuss Taika Waititi’s hilarious and moving anti-hate satire.
The post-apocalyptic gang’s all here for this thoroughly entertaining sequel.
Eddie Murphy, Wesley Snipes, and director Craig Brewer all return to form in this hilarious, entertaining, foul-mouthed biopic.
Takashi Miike adds comedy to his stylistic violence with great success.
The comedy team of Hannah Pearl Utt and Jen Tullock deliver steady delights in this NYC-set tale of familial dysfunction.
Comparisons to the fact-based crime sagas by Martin Scorsese are...let's be nice and say “unfounded.”
Jillian Bell’s outstanding performance is undermined by simplistic presentations of running and weight loss.
Sometimes too silly for its own good, the raunchy tween-centric nonetheless delivers big laughs.