The entertaining sequel doubles down on its predecessor’s funniest elements.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Comedy
The entertaining sequel doubles down on its predecessor’s funniest elements.
Shia LaBeouf exorcises his demons by playing his father in this extraordinary cinematic experiment.
Scarlett Johansson, Adam Driver and writer/director Noah Baumbach are all in top form in this divorce dramedy.
Rian Johnson’s mediocre whodunit was doubtlessly more fun to make than it is to sit through.
Elizabeth Banks’ clunky reboot struggles to justify its existence.
Go into Bong Joon-ho’s rightly-praised new film blind as possible and reap its plentiful rewards.
Romance blended with recovery drama, the movie is almost guaranteed to defy whatever expectations you have of it going it.
Pre-tweens will enjoy the lame jokes employing poop, farts, mud, pratfalls, and the so on, but parents — and filmmakers — can do better.
Kristina Guckenberger (Mountain Xpress) makes her Asheville Movies debut to discuss Taika Waititi’s hilarious and moving anti-hate satire.
The post-apocalyptic gang’s all here for this thoroughly entertaining sequel.
Eddie Murphy, Wesley Snipes, and director Craig Brewer all return to form in this hilarious, entertaining, foul-mouthed biopic.
Takashi Miike adds comedy to his stylistic violence with great success.
The comedy team of Hannah Pearl Utt and Jen Tullock deliver steady delights in this NYC-set tale of familial dysfunction.
Comparisons to the fact-based crime sagas by Martin Scorsese are...let's be nice and say “unfounded.”
Jillian Bell’s outstanding performance is undermined by simplistic presentations of running and weight loss.
Sometimes too silly for its own good, the raunchy tween-centric nonetheless delivers big laughs.
Set in the Outer Banks, this odd couple buddy comedy is undermined by a rushed final act.
The Springsteen-centric coming-of-age film isn’t quite on par with its summer 2019 classic rock cousins.
Cate Blanchett may be one of the few actors who could hold together a movie that’s part farce, part intervention, part melodrama and always entertaining.
This crime flick seems to think it’s a dark comedy but it just comes across as confused and inconsistent.